Category: Uncategorized Page 45 of 122

Links, Golf, Coarse

A few months ago, I provided a link to an item for sale, the name of which might prove faintly disappointing to men of a certain age (or, I ought to add, preference).

So it’s with a childish degree of glee that I offer you a link to something which is less likely to elicit a sense of “Oooh, saucy… oh, that’s rather disappointing” and more a case of “is this an actual product name, or just an excuse to put three slightly-rude words in a row?”.

Well, that’s what I thought anyway. See what you think.

(Thanks to my golf-playing pal Tony for pointing me towards this silly-named item. From what I can gather, Tony’s handicap is being forced to sit next to me during the working day.)

Unintelligent Design: DairyStix

Staying in hotels is, of course, one of life’s great delights; as well as televisions with fewer channels than one can watch at home, and showers which have two extremes of temperature (Inferno and Arctic) and nothing in between, there’s always the thrill of using the ‘tea and coffee making facilities’.

If the room has a fridge, you might have some real milk, so you can make a proper cuppa, but more often than not, you’re likely to have a kettle, cups, teabags, and, in some form or other, UHT milk. UHT milk is obviously handy for hotel-owners, as it lasts for ages (decades after we humans are dust and gone, the giant radioactive cockroaches will still be finding stashes of it and drinking it in an attempt to fend off Causium-234-induced osteoporosis), but it doesn’t taste very good at all… by which I mean it tastes of virtually nothing at all, being more like a homeopathic version of Tipp-Ex than milk.

Anyway, UHT milk used to be supplied in hotel rooms (and on trains and service stations and other strangely neither-here-nor-there places) in little pots, like miniaturised yogurt pots, with a foil lid; as Ben Elton noted in the 1980s, these pots appeared to have been spot-welded shut, so it was a battle to get them open, invariably resulting in you showering what little ‘milk’ lurked within all over the place. And Ben was right to point this out, but the so-called solution is no better, quite frankly: ladies and gents, the milk processing people and hospitality industry proudly present (while the rest of us just resent)… Dairystix.

Yes, all the lack of flavour of UHT milk, now in a longer-than-it-is-wide foil tube. Apparently taking their design cue from those Mr Freeze ice pops which can be found in the Walls freezers in newsagents in summer, the idea is that you tear the end off the ‘stick and then pour the milk (well, it’s UHT, so I use the term in its loosest and least-accurate sense) into the cup. Which would be fine, if the ends actually tore off in anything approximating a straight line. But that’s not likely to happen with the ‘dotted lines’ you have to tear along, because they’re coated with plastic and so you get an untidy tear along it. Which, when you squeeze the tube, means the milk comes out of two or three places in the end of the tube, like a man trying to urinate after someone’s stapled the end of his prepuce (if that comparison appalls you, you may want to stop reading now – there’s worse to come before this rant is over).

The reward for all this is a pathetic splash of not-milk, which barely coats the bottom of most cups. So you have to put two in, though you’ll be lucky in most hotels to get more than two of the sticks per person, so you’ll have to think carefully about when you drink your tea. And even then two isn’t really enough to make it look like tea. And the reason for this is pretty pathetic; these milk sticks, like the milk pots before them, contain a minimal amount of milk.

In fact, I’m such a sad pedant that I actually did a bit of research to try and find out just how much (or, rather, how little) UHT milk is contained in a DairyStix. Appallingly, it is 12ml, or about 4% of a can of Diet Coke. So, all that effort wrestling with the end of it and then you squeeze down the length of it several times over, resulting in a spray in unexpected directions? All of which is – frankly – little more than the overall quantity of the average male ejaculation (where do you think the group 10cc got their name)? Perhaps it’s in some way connected with the choice of films on the in-room TV.

Anyway, my friends, as something that doesn’t work and yet looks quite modern and flashy, this is a pretty classic example of Unintelligent Design. Yes, perhaps I love my tea a bit too much, but it seems that the makers of DairyStix and similar items treat the making of tea and coffee with a little bit less love than they should, given that it’s part of how they make their living.

First In A Possible Series Of Posts In Which I Take Phrases Which Are Used Without The Brain Being Engaged First, And Refute Them With A Picture

The accused:
The fashion phrase “double denim disaster”, used to describe someone wearing both jeans and a denim jacket.

The refutation:
Mr S. Stevens of Wales.

Further evidence to be taken into consideration:
Mr E Presley of Memphis (to be confirmed).

Order With Express Shipping To Ensure Yours Arrives On Or Before Friday 13 March!

Hot – well, all right, more like lukewarm – on the heels of my post about a delightful item you can buy comes this one, with news of another replica. A choice one, and not one that you might have to be slightly bonkers to buy, oh no.

So then, the Friday the 13th Movie 2009 Jason Voorhees Machete Prop Replica. Three feet long, but don’t worry, the edge is dull, so even though people may involuntarily void their bowels when they see it hung proudly over your fireplace, with its bloodstains a-glistening, you can reassure them that they’re not going to get cut by it.

Mind you, they might wonder why you’d spend $189.99 on a replica machete when you could probably buy a real one for less, but that rather leads into the issue of why you might want a machete (unless it’s the chap from Spy Kids and that Grindhouse trailer) in your home anyway… and that’s probably a question best left unanswered, isn’t it?

This Post Contains Material Which Some Readers May Find Shocking Or Offensive

Presented for your bewilderment, a display table I saw in Waterstones on Piccadilly the other night.

Normally, I mock similarly-designed items, but having a go at these near-identical covers feels a bit like stealing sweets from a baby (though of course that’s far more civilised behaviour than the subject matter of these books).

For those of you who aren’t familiar with these books, which are often racked under ‘Tragic Lives’ or similar in bookshops, they tend to be memoirs of terrible suffering which the authors suffered in their childhood, but which are presented as being ultimately uplifting. Often they’re the tales of horrific levels of abuse (verbal, physical, sexual and psychological), and thus the covers invariably feature an upset-looking child.

If I sound vague about the contents or dismissive about the marketing, that’s because I haven’t read any of them (though I’m told the initial books of this nature by Dave Pelzer are quite readable), and the packaging of them often ends up being unintentionally amusing to my obviously sick mind (the best example being Ma, He Sold Me For A Few Cigarettes – seriously, that’s a real book; click the link and see).

As I understand it, these books are known as ‘Misery-Lit’ or even ‘Bleakbusters’, and they sell very well indeed. They’re not the sort of book that I think I’d care to read, really, and there’s a large part of me that worries about the fine line that one has to tread between concern about an issue such as mistreatment of others, and a slightly unhealthy and voyeuristic interest in the specifics of the mistreatment; see Apt Pupil by Stephen King for an example of an obsession with ‘the gooshy stuff’ taken to an extreme level (he said, loading his argument)

One thing I recently read about these books, though, is that they’re ‘publishing’s dirty little secret’ (the irony of this is, I hope, not lost on the industry); whilst the various publishers wouldn’t make any claim that these were literary classics or necessarily even of great social merit, the books do sell in vast quantities, and of course this helps the publishers keep afloat during these difficult financial times – books such as those pictured effectively help subsidise the other tomes which don’t speed off the shelves so quickly, but whose authors might pick up both acclaim and awards further down the line. It’s the equivalent of a record label having both Seasick Steve and Coldplay on, I guess.

As I say, I’m vaguely uncomfortable about these books, and the picture of child + hand-written title + typed strapline hinting at the horrors within formula of the covers makes me prone to mock them, but I recently read something (embarrassingly, I can’t remember where, but if anyone can point me towards the origin, I’ll gladly link to it) which suggested that within the world of publishing itself, these books aren’t exactly taken too seriously.

A number of people within publishing firms, the story goes, held a competition to make up the most archetypal and yet repellent example of a Misery-lit book title, voting for the winner. There were, I gather, a large number of entries, but the winner was, by a substantial margin, the title No, Grandad, Not On My Face.

No Somersault, So No Need To Slow This One Down And Try To Spot The Stand-In

Forget the so-called ‘irony’ of John Sergeant dancing badly on Strictly Come Dancing (it actually looked like he felt it was beneath him to try to improve), this is a comedy dance routine.

Respect to Mr Webb for making the effort. And filling out the outfit in such a frank fashion.

Being Human Does, After All, Involve Questions and Answers

BBC Writersroom are hosting another in their ongoing series of Q&A sessions with TV and radio creators, this time with Toby Whithouse, whose most recent creation is the BBC3 series Being Human. Which is a rather good show, and if you’ve not seen it, you should give it a look.

It takes place at the Soho Theatre here in London Town on Wednesday 4 March, from 5pm, and you can get your name on the guest list by sending an email to writersroom@bbc.co.uk, with the subject line “Toby Whithouse Q&A”.

Full details of the event can be found here.

I plan on attending*, and I gather Steve ‘no relation to Jenny’ Colgan will be there too – what about you?

*Which is to say, I’ve e-mailed asking to be added to the list.

1980s Advertising For Irn Bru Claimed It Was “Made in Scotland From Girders”. Irn Bru Contains 0.002% Ammonium Ferric Citrate… Small Girders, Then.

Amidst all the cynicism and nastiness of the blog – er, I mean world, it’s easy to forget that people can often be disarmingly kind. It doesn’t always take much effort, or even expenditure, to be nice when you could be nasty, though that’s all too often overlooked as the news media bombard you with tales of financial and social woe.

So, in the hope that it might make you feel – as I did – that the world isn’t an inherently hostile place, I would urge you to read the story (and play the video) behind the picture accompanying this post; the words and moving images can both be found here.

And if you don’t think it’s a good thing, then I say Fie and call you a callous savage, for kindness and consideration are all that set us apart from the animals!

…Well, that and using utensils instead of our teeth to cut up our food, but you know what I mean.

I Am Moving In A Manner Akin To A Fly Whose Posterior Is A Shade Towards The Violet End Of The Spectrum, Frankly

Insanely busy today, so on the basis that a pretty picture may be worth more than a thousand words (especially when they’re words from me), I thought I’d share this; Les Escaliers De Montmartre by Brassai (no relation to the Chris Morris programme, as far as I know).

I have a copy of this picture hanging in the lounge chez nous, and it proves Keats right – a thing of beauty is indeed a joy forever. Just looking at it makes me feel somehow better inside.

And much to my delight, if you visit Montmartre (which is in, I almost forgot to mention, Paris), the same stairs can still be seen… but no, they’re not the ones at the end of The Exorcist.

This Is, Of Course, The Best Place For Full Coverage Of The Oscars

You know, I’d probably apologise for the terrible pun if I wasn’t so appallingly proud of it.

Oh, don’t give me that look, you wish you’d thought of it first.

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