Category: BBC Page 3 of 5

Beyond The Fringe

Whilst a lot of coverage of events in Scotland at this time of year focuses on the Edinburgh Fringe, it’s good to see that Auntie Beeb hasn’t forgotten that there are other places in Scotland.

By which I mean: the BBC Writersroom are holding a couple of their roadshow events in Scotland in September.

On Tuesday 1 September, they’re at the probably-not-named-after-the-film Tron Theatre in Glasgow, on Thursday 17 September they’ll be at the probably-not-named-after-the-computer Spectrum Theatre in Inverness, followed by the not-named-after-anything-I-can-think-of-to-allude-to Caird Hall in Dundee on Wednesday 14 October.

Oh, hang on, I’ve just realised that they’re scooting down to the Norwich Playhouse on Wednesday 6 October, which rather throws off the Scottish run of events, doesn’t it? Anyway, 75% Scottish is a good enough proportion to justify the overarching theme of this post, I think.

As is usual with these roadshows, folks from the Writersroom will be talking about what they look for in scripts and how they assess them, and you can save on postage costs by handing your script in to them in person, too.

Entry’s free, but you do need to get your name on the list so they’ll unclip the velvet rope and let you in, and you can find out how to do this (and all the other salient details) here.

At Least One Of You Is Demonstrably, Provably, Better Than Me. Come On, Admit It. I Can Take It.

I have to admit I’m kind of surprised how few people I’ve seen blogging (or otherwise writing online) about having made it through to the Workshop stage of the CBBC Writing Competition.

Can it be that nobody with an online presence has made it into the final numbers ? I should be fairly surprised if that’s the case, but then again, maybe the winners spend less time online and more time on writing… hmm, there may be some kind of notion there. Ah, I’m sure it’s nothing.

Anyway, if you – or anyone you know – has been invited to the workshop (which, I suddenly realise, is taking place this very day), do let me know, I’d be keen to know how it went.

And finally on this topic, if you haven’t already seen it, there’s a post on the BBC Writersroom blog which gives more information about the judging process for the competition, how many entries there were, and the like, which I think is worth a look (including the comments – the original poster, Paul Ashton, returned to reply to comments from entrants).

Free Music Downloads, Without The Guilt Or Fear Of Legal Reprisals

I think I’ve mentioned Adam and Joe’s 6music podcasts here before – they’re very funny, and free, which never hurts.

Over summer, their show’s on holiday, but like true professionals they’ve ensured service continues, and so they’re currently running a series of podcasts which include the silliest songs from their weekly Song Wars feature. And they explain how the songs came to be, and that sort of thing. I recommend you have a listen by going here. They are very silly men.

Even better, you can download the songs themselves, shorn of all the chat and creative insight, from their blog, which is here.

No, I’m not on their payroll or on commission or anything, I just think their stuff’s funny, and thought I’d share. Despite what you may have heard, I’m nice like that.

New BBC Roadshow Date – And Why One Shouldn’t Send Messages In Anger

In case you hadn’t seen the post by Piers on the BBC Writersroom site, there’s a new Writersroom roadshow being held – this time in Birmingham, on the evening of Tuesday 18 August. Full details can be read here – if you live in Brum (or close by), you might want to see about going along.

Speaking of writing and using the internet, what’s all this about people hassling writer James Moran online because they don’t like the way the story went in Torchwood? It seems he’s being accused of a homophobic element to the story, which seems a little odd when you consider it was co-plotted with Russell T Davies… but frankly that’s by the by; James has been very open and forthcoming in his online presence, and very enthusiastic about writing generally, and now it seems that people having a go at him is likely to cause him to withdraw somewhat, which I think is a shame.

I mean, I’ve seen TV shows where I haven’t liked the direction the story’s taken, but sending Twitter messages and the like to the writer (or one of them) is obviously excessive, and it’s pretty clear from James’s reaction that he found a lot of them rather insulting.

That’s going too far, and is a desperate waste of the potential for communication offered by developments such as the internet. I’m reminded of the people whose online hectoring led to the cancellation of a writing competition in future years back in 2007; remember, just because you have the means to tell someone (or indeed everyone) your current emotional or mental state, it doesn’t necessarily mean you should.

Oh, And It Features Music From Black Lace. I Kid You Not.

I know that the TV excitement in the last week has mainly focussed on Torchwood, but I haven’t seen that yet (planning to watch it all in one big chunk), so I can’t comment.

However, one TV show in the past few days which I found rather exciting was the fourth episode of Psychoville, written by and starring two of the League of Gentlemen, and lo and behold this episode features a guest appearance by the other onscreen member (so, not Jeremy Dyson).

If you’ve ever seen the Hitchcock film Rope and marvelled at the long sequences between cuts, then this episode will impress you in the same way; from what I could see, there’s only one cut, at about the 20 minute slot, which is something you really don’t see very often in TV. The episode is very much like Rope in structure and content too, and is quite clearly a homage – in the proper sense of that word, not the cut-and-paste-swipe sense all too often used nowadays. That said, I reckon you could probably watch this episode without having watched those before it.

But John, you may be asking, how can I watch it now? The wonders of the BBC iPlayer, I say in reply, and point you to this link, which should enable you to watch the episode on your computer. Wonderful what they can do nowadays.

I have to say, I think Psychoville is a very solid show so far – the central mystery of it is unravelling well, and the cast of characters are suitably horrifying and/or funny (often both at once). Worth looking at the whole series so far if you’re not already following it, I’d say.

It’s Wednesday, It’s Just Past Five, It’s…

… a handful of minutes past the deadline for the BBC CBBC Writing Competition.

So, did any of you fine people enter? According to Royal Mail (yes, I know – hardly the most reliable of sources), my script was delivered this morning, and I know that Lawrence, Antonia and Dom have all entered too, so that’s at least four people. Any more?

Like many of the folks linked above, I rather enjoyed writing my script – which is called, at Mrs Soanes’s suggestion, The Secret Life Of A Bookworm – and was fairly pleased with how it turned out, even if, what with it being the first of a possible series, I had to get some exposition out of the way before I could get to the action. Still, I hope I did it pretty well, and I keep my fingers crossed about hearing back from the Beeb for the next stage, a workshop on Tuesday 28 July for the select(ed) few.

On the subject of hearing back, I see from the BBC Writersroom site that they intend to let people know if they’re through to the next round on Friday 10 July – that is, next Friday. Quite soon, then, but that’s certainly better than keeping people waiting.

And now this deadline is past, it’s on, on, ON to the next bit of writing! To the novel, and don’t spare the clauses*!

*Grammar, I mean, not Santa’s family.

Writer’s Blog (See What I Did There? Oh, My Ribs)

Just a brief but self-indulgent post to share how I’m doing with my entry for the BBC CBBC writing thingy.

I’m making fairly good progress with it, I think, and hope this weekend to sit down with Mrs Soanes and have a ‘table read’, as ’twere a proper script for screen or stage.

As I go along, I’m painfully aware of bits which need work (exposition, though a necessary evil, will need to be pruned – or, rather hacked right back with a metaphorical scythe), but I’m ploughing on, and reminding myself that the fun of redrafting lies ahead – as I keep saying to myself, “get it written, and then get it right” (a saying I’m sure I’ve nicked from someone else, but offhand I can’t recall who it might have been).

Whilst the script’s flaws are currently all too visible to me, one thing I’ve been quite pleased with is the interaction betwene the two main characters – though I’m painfully aware that dialogue can easily be overwritten and end up being more fun for the writer and actors than the audience, I think I’m doing an okay job of capturing the speech patterns of two young people – two girls, no less, as I’m always keen to try to refute the assertion that men can’t write female characters (I don’t believe it any more than I believe the reverse to be true).

Anyway, back to it – how’s everyone else doing? Has anyone sent theirs in yet? I know I’m cutting it fine-ish with the deadline being Wednesday, but I like to think mine won’t be the last entry to arrive at the BBC…

Oh Ho Ho, It’s Magic, Y’know? Never Believe It’s Not So

As it’s just over a fortnight before the CBBC Writing Opportunity closing date, I thought I’d just ramble a bit about – er, sorry, I mean share – the thought process behind my entry-to-be, which currently rejoices in the title of ‘Title to be decided’.

The target audience is 6-12 year olds, and so I set to thinking about what kind of thing would be suitable for them; my gut feeling was that whilst it needed to be something which would be relatable in terms of setting, making the focus of it about school or family life might make it a bit too close to reality. I’m probably showing my age here, but I was thinking in terms of the general tone of the programme Jonny Briggs (which is not about the actor from Coronation Street, it’s a TV show from the 80s).

That said, I liked the idea of one aspect of it being a bit strange and somehow fantastical, in case it be more like a mirror than a viewing-glass, as it were – and that Alice-ism isn’t entirely accidental; I read a quote from Bryan Fuller on Dan Owen’s blog about how he wanted to get Heroes

“back to the basic principle of ordinary people in an extraordinary world and how these characters are relatable to us and what we would do if we were in their situations, and really grounding it in that conceit”

… which doesn’t quite ring true to me (though I stopped watching it at the end of the first season), as I thought the hook of Heroes was that it was extraordinary people in an ordinary world: the old cliche of real-world superheroes (well, it’s a cliche in comics since the mid-1980s, anyway, slightly less in other media).

Anyway, I feel I want TTBD (as nobody’s calling it) to be real-world-grounded (so I don’t have to spend forever on the setup), and maybe have something a bit unusual happening to an ordinary character, so we see him or her react in a way we might react ourselves. In a way, I guess, this is a bit like those novels which are referred to as being ‘Magic Realism’, which (from my limited knowledge of such things) tend to feature the real world with a slight twist.

Mind you, as Gene Wolfe pointed out,”Magic realism is fantasy written by people who speak Spanish”, so perhaps I shouldn’t kid myself that there’s anything all fancy about my idea.

On the other hand, the CBBC Q&A tonight may well mean that I dump the notes that have resulted from the above, and end up having to start all over again and send in something a bit more rushed and unlikely to win… see what I did there ? I set up my excuses early.

Or, as writers like to call it, I foreshadowed a later event.

I only hope that’s not the full extent of my storytelling ability.

If You Hand Them A Script In Person, Don’t Write The Name Of The City On The Envelope Lest It’s Mistaken For A WW2 Acronym – First Impressions, Etc

In addition to the dates I mentioned last week, the BBC Writersroom Tour has added an extra date, this one in Norwich.

It’s on Wednesday 16 September at the Norwich Playhouse, and runs from 5:30pm – 7:00pm. As is usual, the way to get in is to get yourself on the guest list, but it is free, and all you have to do is send an e-mail asking if you can attend.

Full details of the Norwich date, and other forthcoming Writersroom sessions, can be found here.

BBC Writersroom Event: CBBC Q&A

Please forgive the acronym-laden heading for this post, but hopefully it’ll prove useful; if, like me, you’re planning to send something to the CBBC Writing Opportunity I posted about here, you may be interested to hear that the BBC Writersroom are holding a Q&A event with the Steven Andrew, the new head of CBBC Drama.

It’s being held in the evening of Monday 15 June, at the Royal Court Theatre in London. Exact time is to be arranged, and you have to send an e-mail to get on the guest list, but it is free to get in, and could prove useful… even if attending does mean a risk that one might realise that the draft script needs a complete and utter re-draft in the light of things which might be said.

Still, worth attending, I’d say, and you can get all the information here.

I’m planning on going – anyone else game for it ?

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