Author: John Page 62 of 121

Photos From Our Wedding

Thanks to the speedy work of our friend and wedding photographer, I can cheerfully present the following for your amusement…

Jules is my wife now, in a very real, and legally binding sense. That being the case, you may well wonder why she’s smiling.
As my expression reveals, I can’t quite believe my good fortune. And that’s as true now as it was on the day.
The Best Man, The Luckiest Man, The Bride and Bridesmaid. I fully expect this picture to be in the next issue of Tatler, probably in the Society News column.
I told you we’d practiced for the First Dance.
I’ll stop there, rather than posting dozens of pictures, but in case you hadn’t guessed by now, we had a terrific day, and I’m very pleased and proud to be married to Jules.
Or, as I prefer to call her at any given opportunity, my wife.

In The Kingdom Of The Brand…


…the one-idea man is King.

And Soon You Will Find There Comes A Time, For Making Your World Up

So, I’m currently working on my entry for this year’s Red Planet Writing Competition.

As my series pilot has an element of the supernatural about it (to my own surprise, to be honest), I’ve had to do some research, but I also get to invent things. One element of the story is that of people talking to ghosts in the style of Doris Stokes or Derek Acorah, but having done a bit of reading about apparent communication between the dead and the living, I found that there seems to be a lot of variation as to how the dead speak, and in itself this is a good thing for me, and within the context of the series pilot that leaves me a lot of latitude to decide how communication with spirits actually happens. Which I like, because it means I get to make it up.

Underlying most TV shows is what is often called the ‘mythology’ of the show, and those which have some kind of paranormal, fantasy or science-fiction basis often have to make it more explicit than those which are based in what we call reality – I guess this is because the greater suspension of belief, or lack of frame of reference, has to be compensated for by a greater explanation of the environment. To give an obvious example, the viewer needs to be told that The Doctor is (at least ostensibly) the last of a race of people who travel through space and time, which is why he does so; but we don’t need to be told that Stacey from EastEnders is a member of the Walford Market Trader’s Association, which is why she has a permit to run a stall in Albert Square (I made up that Association name, as those of you who know more Albert Square mythology than I will have immediately spotted). I rather suspect the reason for this is because we’ve all seen market stalls (even if they’re only on cutting-edge documentaries like EastEnders and Albion Market ), and thus they need less explanation.

In a way, it seems like an extension of the principle of Occam’s razor, that the more complicated and otherworldly a situation is presented as being, the greater the explanation required of the mechanics of that situation; there are differing degrees of explanation, though, and the creators’ intent plays a big part in it – I’ve never made it past Chapter 5 of the first book of Tolkein’s Lord Of The Rings because of the frequent diversions off into world-building (genealogies and songs in particularly), and the folks behind the Star Trek franchise seem pretty happy to detail almost every stage between the present day and the universe of Kirk, Picard, et al, whereas things such as the scientific backdrop to the Star Wars films are (as far as I know) pretty thin on the ground – and indeed, when Lucas started to provide pseudo-explanations for the mystical elements, most folks I know were unimpressed. Midichlorians, indeed.

Whilst I’m thinking about the underlying ideas of my series proposal in detail ahead of time, it’s not always the case that TV series have everything worked out in advance; Doctor Who didn’t come fully-formed with aspects such as the regeneration built in, many elements of (my favourite TV show ever) Twin Peaks were pretty much made up as the writers went along, and I think it’s fair to say that The X-Files put many of us off in its latter years by being pretty obviously weighed down by an increasingly complicated and contradictory mythology – one which it’s very hard to imagine was the result of careful planning.

At the moment, however, I’m rather enjoying my little bit of world-building, though the time will soon come to stop messing about with the backdrop and to concentrate on the drama which has to unfold in front of it; that’s fine, and I’m well aware that research and preparation can just end up being procrastination, but I’m trying to balance the competition’s requirement for a series outline with the need to work out what happens in the first hour of the projected series, and – for want of a better word – playing at being a demiurge is proving a lot of fun.

There’s a fine line between obsessing over the details of how your main character is Borin the seventh son of Colin, and establishing the way that your world works, I guess, but – at least for now – I hope I’m staying on the right side of the line.

Cover Me, I’m Going In

I was faintly disappointed to read this de-bunking of a rather fun magazine cover… but then my spirits were lifted by the discovery of this one!

… And for some reason, people suggest my sense of humour is akin to that of a teenage boy. Everyone’s a critic.

My Wedding: Part Three Of Three

Previously in John’s life: John has married Jules, but within a number of hours, the bride is holding aloft a knife, with a meaningful look in her eye…

After the Wedding Breakfast, we cut the cake (which is not some childish fart euphemism. Honest), and posed for more photos. Actually, I should talk about the cake – it was designed and made by Claire Lewis, and instead of being made of fruit like many cakes it was a chocolate sponge, because, well, neither of us are big fans of fruit cakes (except as a slightly offhand description of our family and friends), and it was our day, so nyer. Anyway, it was a yummy cake (hopefully I’ll have some pictures to share soon).

The tables and crockery were cleared away, and after a while it was time for the First Dance. I’ve capitalised those two words for a reason. As Jules and I stepped out onto the dance floor, and our DJ filled the air with the strains of Nat King Cole singing The Very Thought Of You, something which no-one in the room knew was this: for the last couple of months, Jules and I had been having ballroom dancing lessons (at the place they rehearse for Strictly Come Dancing, no less). I don’t have any innate sense of rhythm or anything like that, but with the help of our dance teacher , we’d got a few moves choreographed. The lessons aren’t cheap (though nor are they particularly expensive), and practising at home had been quite hard work and sometimes frustrating as my feet and brain had refused to co-ordinate, but I have to be honest and say that as we started to move to the music, as planned, I thought that it had been worth every single penny.

“They’ve been practicing!” at least one onlooker said, and as we reached the middle section of the song and Jules and I circled each other – with an ease that was born more of muscle-memory than mental-memory, at least for me – I felt a great, big, stupid grin spread across my face. Shortly after that, of course, the DJ invited other people to join us on the dance floor, and we were swiftly surrounded by stumbling clods who got in the way of our finely-honed performance, but I decided to be indulgent of the amateurs. Ahem.

The final timetabled event of the wedding was one which the weather literally threatened to put a damper on, as at 10pm last Saturday it was raining heavily, but most of us stumbled outside (some folks stayed indoors and pressed their noses against the glass) to watch a Firework display. It was soggy, yes, but the Fireworks chaps went ahead anyway, and I’m very pleased that they did, because the display was great – lots of sparkly explosions to sate my wife’s desire for shiny things, and noisy booms and bangs and bright lights for … well, the likes of me. The display went on and on, and was frankly fab value for the money. At the end of it, in spite of all my English reserve, I cheered and applauded.

And after that it was drinking and dancing until people could take no more (but they didn’t seem to resent this treatment). And that, m’loves, was my wedding day, and as well as meaning everything to me on an emotional level, it also went really well on a practical level (the only thing I would have changed would be the weather, but that’s not something which is exactly controllable). A lot of people say that their wedding day’s the happiest day of their life, but rather than condemn the rest of my life to run a second-best to last Saturday, I’d have to say it was the happiest day of my life so far.

So, with the exception of the inevitable posting of a few choice pictures from the wedding as soon as I get hold of them, that’s about it for blog posts about the wedding. Well, maybe. I’m sure I’ll have some blistering insights on married life to share… ahem. Coming up, a return to the usual parade of cheap shots at people and things in the public eye, and self-indulgent posts about writing and life in London.

…I bet you can’t wait.

My Wedding: Part Two Of Three

In the previous episode, we left our hero standing at the Registrar’s table, his bride beside him. Now read on…

Thankfully, none of the assembled folks decided to object when the Registrar asked if anyone knew of any just cause or impediment why Jules and I shouldn’t be married, and so we scooted through the vows and onto the signing of the Register. My handwriting may be increasingly unreadable, but as I signed my name and she signed hers, I thought of the words of Papa Lazarou: “You’re my wife now…”

And indeed she was. Papers were signed, and pictures were taken, and I kissed the bride and – to the strains of Gimme Some Lovin’, we exited the Regency Room as husband and wife. Pretty much out of sight of the guests, we giddily yelled ‘wheeeeeeeeeeeeee!’ and half-ran down the corridor like the overgrown infants we are.

At many weddings, the photographer calls the shots at this stage, ordering ‘female members of the groom’s family’ to stand with the happy couple, or sending a cousin to retrieve Auntie Susan from the toilet because she’s needed for a picture, but I have to report that the waywardness of all our guests meant our photographer had to give up on any kind of order to the pictures, and do what he could with those who were present. A comparison with herding cats would have been fair, so he had our blessing to go all free-form improv jazz with the sequence of his photos.

The Wedding Breakfast was held at 5pm, which must have been the latest breakfast I’ve ever had (and don’t forget that I was a student for a number of years), but due to the laydee’s clever planning and organization as regards both the table decorations and the seating arrangements, I heard a number of ahhhs as we entered, and a lot of ha ha has during the meal itself.

After the meal – much of which was locally-sourced and I suspect tasted all the better for it – came, of course, the speeches. The father of the bride wasn’t keen to do a speech, and since the day was about having a laugh rather than slavishly following tradition, we let him off, leaving it to myself and my Best Man to do the talking. Both Danny and I have some previous form when it comes to standing in front of people and talking, but I think it’s fair to say that we both felt a bit of pressure to come up with the goods.

Speaking for myself, I was pretty happy with the way my speech went – I managed to elicit tears from a few members of the gathered, and laughter from others, and thankfully at the appropriate stages in the speech; most importantly I managed to make it painfully obvious to everyone there – including my lovely now-wife – just how deliriously happy I was about marrying Jules, so the key point of my speech seemed to hit home.

Danny’s speech was top-notch, to my mind – honest about how we met and why we get along, and even when he referred to my feelings for Geri ‘Ginger Spice’ Halliwell, my bride didn’t flee in horror but instead stayed and laughed along with everyone else. It was just the sort of speech I hoped he’d make, and I was pleased it went over so well. If you’re reading this, Dan, many thanks – I knew you were the man for the job!

To be concluded…

My Wedding: Part One Of Three

So then, last Saturday (16th August), I got married. It was a day my now-wife Jules and I had been planning for over a year, and I’m pleased to report it went well, but of course, as one who uses seventy words when ten will do, I can’t leave it at that. So this is the first of three posts about the day – what I laughingly call ‘normal’ service will be resumed next week, but please indulge me as I regale / bore you with tales of the wedding; posts will be less blatantly self-absorbed soon, I promise.

First things first – we got married at Burton Court in Herefordshire. As you can see if you browse their website, Burton Court is a building with a history, and this is abundantly clear from the stuffed animals and archaeological treasures which litter the house, as well as – of course – its architecture and grounds. Many guests said to me how beautiful and / or interesting they thought the venue was, and I can only praise the tireless assistance of Edward Simpson, Burton Court’s Functions Co-Ordinator, who was friendly and accommodating, and without whom the day wouldn’t have been half the fun it was. If you’re looking for a venue for a wedding (or other event), you could do far worse than consider Burton Court.

Anyway, the civil ceremony was set for 3pm, and my Best Man Danny and I arrived at about 1.30pm. I chatted to him and the ushers a bit, and we finalised some details, until he eventually, and quite rightly, told me to stop faffing about and to go and get changed.

I’d decided that if there was one day in my life which merited lashing out on a made-to-measure suit, then surely it was my wedding day, and so my suit was made for me by Richard Thompson of Exclusive Tailoring (and indeed a testimonial by me appears on this page ). I wanted a suit which looked something like the one on the cover of this book, and Richard did a bang-up job taking this idea and making something which would fit me, and given my hair’s tendency to go wavy, not to look too much like The Eighth Doctor (though many might say that would have been a hell of an improvement).

Anyway, I donned my wedding outfit and went to mingle a bit before the wedding ceremony; in theory, this is the time when a groom’s supposed to get all nervous and unsure and wonder if the bride might not show up, but in all honesty I had no doubts at all about wanting to marry Jules, and she had made it pretty clear that she was intending to show up, so I used the time to swan around like the man of the hour (which I guess I kind of was) and to say hi to the folks who’d been kind enough to come – many of them from places quite a long way from Herefordshire.

The time came, though, for us to enter the Regency Room of Burton Court, where the ceremony was taking place, and after a brief chat with the Registrar, we sat down and waited for the Bride, accompanied by her father, to come in.

A couple of weeks ago, my friend Stuart, who’s been married for some years, told me that turning round and seeing your bride come into the room is one of those moments in your life you never forget. When I heard the music and looked and saw her, I knew what he meant – in that real and biting and actual way that you know something, which is very different in practice than in some abstract theoretical way. It was a terrifically exciting moment, one which made my stomach free-fall in the best possible way, and Stu’s right, it’s something that I won’t forget as long as I live.

So she made her way to the front of the room, and the ceremony started, and instead of even the vaguest flicker of doubt, I had an overwhelming feeling of certainty, that I was doing the right thing, that I was marrying the right person, and as I looked at her and she smiled, I thought of the line from the Steve Martin film Roxanne (itself an update of my favourite play ever, Cyrano de Bergerac):

“This is my whole life right now. Standing here talking to you like this.”

To be continued…

My Wedding: Pre(r)amble

I got married last Saturday, and it was a fun day, and I want to post about it (as regular readers will imagine, I’m unlikely to be able to tell the tale in one post, as my logorrhoea increases with my excitement about a subject).

However, before I do that, I feel I ought to refer back to this post, in which I said that my bride and I had been unimpressed to receive a short-notice notification that someone was pulling out of attending the wedding via Facebook.

In that post, I ranted slightly about how it was a rubbish way to decline the invitation to attend, and a rather cowardly one at that… though, my ever-faithful readers, it’s my sad duty to report that someone decided to raise the ante – by telling me they weren’t going to attend at 10.30 on the morning of the wedding, via text message.

I’m fundamentally optimistic about human nature, and like to think that, if they’re given the opportunity and not backed into a corner in any way, people will tend to act in line with the more impressive standards of human behaviour.

Receiving a text message declining the invitation, just over four hours before my wedding ceremony, when guests had been given over a year’s notice of the date and venue, is the sort of thing which makes even an optimist like myself begin to wonder if maybe people aren’t as fundamentally decent as I’d like to think.

Sigh.

Anyway, this frankly infuriating behaviour aside, the day was a great one, and in the next three posts I’ll describe why it was so much fun – including a few hints on how, if you’re planning a wedding, you might be able to make it go more smoothly – but I just wanted to get this grr out of the way first. A metaphorical clearing of the throat, as it were, before I get to the nub of my gist.

Oh, and I don’t have any pictures to share yet, but I’m confident our photographer did a great job, and I’ll share some choice snaps as soon as I can. Honest.

Thanks, by the way, to people such as Steve and Stu, for their kind wishes both before and after the wedding days, it’s much appreciated.

Is This Style Of Picture On A Seven Year Cycle Or Something?

I was reminded of the similarity between the cover of the 1994 graphic novel Brief Lives and the DVD sleeve for the 2001 film Thir13en Ghosts when I saw the DVD cover for the 2008 film Shutter…

REVIEW: Kung Fu Panda

This film’s been out for a while now, but I thought it was worth a quick review… if nothing else, it gave me an excuse to put this picture up, which is actually a pretty good summation of the general tone of the film.

Anyway, the basic story is that Po, a rather rotund Panda living in a valley with many other anthropomorphic animals (well, this is a Dreamworks animated feature), ends up being nominated as the ‘Dragon Warrior’ who will defend the valley and its citizens against the vicious snow leopard Tai Lung. Po, of course, is wildly unsuitable to be the Dragon Warrior, having more enthusiasm for Kung Fu than actual knowledge or ability. The previous five candidates to become Dragon Warrior (Monkey, Tigress, Crane, Viper and Mantis) are also sceptical of Po’s credentials, and are open in saying as much to their Kung Fu master, Shifu. Shifu’s position is further complicated by the fact that Tai Lung was his student some years ago, and developed his fighting skills under Shifu.

Upon the news that Tai Lung has escaped from prison, the five would-be Dragon Warriors (and Po) set about preparing to defend the valley, and essentially the film is about them finding a way to do this. I’m simplifying a lot here, but I’m keen to avoid any spoilers, as I really would urge you to see this film and enjoy the story for yourself, because it’s a lot better than you’d probably imagine or expect – I’ll cheerfully admit that I had my reservations about it going in.

My main reason for feeling hmm about Kung-Fu Panda was – aside from the fact that it’s yet another CGI film featuring animals – the fact that Po is voiced by Jack Black. I really liked his turn in the film version of High Fidelity, but since then it’s felt as if he’s been playing the same character, and it’s not necessarily a role I want to see over and over again. So, I was wary, but he seems to be well-cast here, and the setting of the story seems to rein in any possible tendency towards overdoing it.

The playing of Po is pretty decent then, and Dustin Hoffman is really good as Shifu, his master, but the stand-out voice performance in the film has to be that of Tai Lung – the villain of the piece – who, I was amazed to find out, is played by Ian McShane. I know, I know, he’ll always be Lovejoy to most of the people in the UK, but he snarls and menaces his way through the film like Terence Stamp as General Zod, in a really well-judged performance.

The animation in the film is top-notch too – opening with a great sequence which looks like old-style Chinese paintings brought to life, and featuring some glorious scenery, it’s almost a perfect example of how to do CGI. The fight scenes are really busy and action-packed, but you always know what’s going on, and the sequence in which Tai Lung escapes from prison is visually very exciting.

The story’s not overly demanding, but it’s well-paced, with some nice little character bits, and a lot of laughs (many of them slapstick). Perhaps the most telling remark I could make on this would be to point out that in the cinema where we saw the film, there were quite a few children in the audience, and whilst some of them were talking a bit in the first few minutes, they were sufficiently drawn in by the film that they were quiet for the rest of its running time. That, in itself, might be recommendation enough for those of you who have children.

Overall, then, I’d recommend this film – my expectations were only moderate, but I enjoyed it a lot, laughed out loud several times, and thought it looked great (especially on an IMAX screen, where the often beautiful vistas completely fill your field of view). If you can, I’d recommend seeing it on the big screen. It’s rated ‘PG for Mild Martial Arts Action’, but as the BBFC rating decision says, the film’s generally light tone means that there’s not much to scare in it, and so it strikes me as a pretty perfect film for a family outing. Definitely worth leaving home for.

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