Author: John Page 45 of 121

I Am Moving In A Manner Akin To A Fly Whose Posterior Is A Shade Towards The Violet End Of The Spectrum, Frankly

Insanely busy today, so on the basis that a pretty picture may be worth more than a thousand words (especially when they’re words from me), I thought I’d share this; Les Escaliers De Montmartre by Brassai (no relation to the Chris Morris programme, as far as I know).

I have a copy of this picture hanging in the lounge chez nous, and it proves Keats right – a thing of beauty is indeed a joy forever. Just looking at it makes me feel somehow better inside.

And much to my delight, if you visit Montmartre (which is in, I almost forgot to mention, Paris), the same stairs can still be seen… but no, they’re not the ones at the end of The Exorcist.

This Is, Of Course, The Best Place For Full Coverage Of The Oscars

You know, I’d probably apologise for the terrible pun if I wasn’t so appallingly proud of it.

Oh, don’t give me that look, you wish you’d thought of it first.

It Was The Best Of Timing, It Was The Worst Of Timing

By way of a more upbeat contrast with my post from last week about a film which is being released at an unfortunate time given its subject matter, I thought I ought to show we’re not all negative here at John Soanes.

This poster, then, is for a film called The International, which is a thriller about a corrupt banking institution, based on the real-life BCCI banking scandal of the early 1990s. Whilst it’s been over a decade since the scandal in question, the release of this film strikes me as particularly timely – I reckon audiences will currently be more than willing to believe the worst of banking institutions.

Good timing, I’d say.

Asking For Tech Advice = Asking For Trouble? Let’s Find Out…

So, the thing is : my current mobile phone (pictured) (all right, mine’s actually a Motorola Razr) is starting to show its age, with scratches and scars and the like, and I think it’s beginning to exhibit reluctance to charge properly as well.

I am, then, wondering if any of you good people can recommend me a new phone/contract which will enable me to keep my current number, and which also involves the following:

– Clamshell design
– Black for preference, silver as an alternative
– Camera (nothing too fancy)
– No mp3 or other music playback, or WAP stuff (I have other devices which do this)
– Vibrate function on the phone
– Triband or above (I’m a globetrotter, remember)

… as well as the ability to, yes, make calls and send text messages.

Anyone got any suggestions? I’m on a contract which I can end with a month’s notice, and for which I get 300 minutes and 300 texts for £15. I’m not too worried about being tied to a new contract (for, say, a year) if it’s a decent phone/service, but I’m not looking to spend much, if any, more than I currently do (which would, I think, immediately exclude G1, Storm or iPhones as possibilities, as lovely as I’m sure they are). It may be that I’d be better off buying a new phone and transferring the SIM card into it, and I’m open to that idea as well.

Your suggestions, as ever, are welcomed…

New In Town, You Say? Watch Out For The Chap Loitering Behind You Then, He May Be A Local Reprobate

There then, the promotional poster for the film New In Town – well, I couldn’t actually find the UK version online for some reason, but this is pretty much it (just imagine a portrait format version of the right-hand side, with a different release date, and that’s about it).

This poster (and side-of-bus versions of it) is currently very visible all over London, and I presume other locations; it rather caught my eye because it seems to be a perfect example of a film poster telling you what the film’s going to be about. At first, this made me roll my eyes, but on reflection, I’m vaguely impressed by it. I shall explain why.

I knew nothing about the film when I first saw the poster, but from the details on it, I was able to reach a number of conclusions about the general nature of the film – and this isn’t some kind of brag about my deductive skills, I think pretty much anyone could reach the same conclusions from the image.

So, the title lets us know she’s new in town, and from the looks of the snow and her clothes she’s not used to that kind of weather, whilst the lurking man in more suitable attire suggests a local resident, and probable love interest. The general look of the poster – the colours and their expressions – suggests a rom-com, so I guessed that we’re looking at a fish out of water story of a woman who finds herself in a small town for whatever reason and eventually finds love there and so on (and m’wife pointed out the posh luggage, which suggests she may be used to the finer things in life but have to get used to a snowbound location or whatever).

Those were our guesses, then, and they’re pretty much right, apart from my thought that she might have been stranded there because of transport trouble (as in Just Friends) – it turns out she’s posted there by her employers. So the poster had done a good job of conveying the overall theme – and I’m kind of impressed by that, as a lot of poster ads seem not to make much sense unless you’ve seen the accompanying TV or film spots as well.

However, having concluded this, I rather rolled my eyes, as this sounds like a film which we’ve seen many times before, and which I can certainly do without seeing again. I was reminded of Jonathan Ross on Room 101, when he said he didn’t want to see any more underdog films, as he’d seen that story so many times before.

True, we live at a stage in human history where we probably have access to a greater amount of culture and information than ever before, and that means that if I want to watch a film from 1951 featuring some plucky underdog, I can probably find it on TV or DVD, and go ahead and watch it, without the studios really needing to continue to make such films. I’ve seen a fair few of these films at the cinema, and like Ross I’ve probably seen enough of them to be going on with (and I’m not a paid film reviewer), but there’s clearly still an audience for those films, as much as I’ve probably had enough of them. There are, no doubt, people watching underdog films at the cinema now who weren’t even born when, say, Rocky was released.

And so, in much the same way, there seems to be an audience for films like New In Town – people less jaded and aged than I who want to see something light and amusing; it looks like a pretty archetypal ‘date movie’, and there are always people going out on dates, after all. So, having thought ‘oh no, not another film like that’ at first, I now find myself thinking ‘actually, there’s an audience for that, and the poster probably does a pretty good job of making it clear what it’s about, to that audience’.

Who would have thought that an advertising poster would have made me think so much? Not I (then again, I’m always surprised when anything makes me think at all).

Mind you, I’m not going to be plonking down the hard-earned to actually see the film, so in its main aim, I guess the advert has totally failed.

The Triumphant Return Of Stray Thoughts

1. I have to admit to being faintly disappointed at the stripped-down nature of Duffy’s cover of Live And Let Die on the Heroes album, but I nonetheless urge you to buy it. It’s for an incredibly good cause, and her version corrects the irksome overuse of prepositions in the line “but in this ever-changing world in which we live in”.

2. I would have embedded this bit of video as I think it’s amusing, but it features language which might not be suitable for public places (and I know some of you read this blog whilst at work), so instead I offer it as a link. Contains strong language, but it makes me smile. Some of you may have seen it already, as I gather Mr Fry recently shared it on Twitter, but for those of us who don’t tweet…

3. Speaking of such things, Fry’s recent Meet The Author podcast (free to download via iTunes) contains, amongst many other comments to enjoy, the best argument I’ve yet heard for using Twitter. Streets ahead of the ‘you must’ or ‘everyone else is’ stuff I’ve heard. I won’t repeat it here as I doubt I could do it justice, and anyway you’ll benefit from listening to the whole thing. Worth your time.

4. I can’t make it, but if you’re of an energetic and charitable nature, this looks rather fun…

5. I’ve mentioned before that I’m a fan of the music of Jim Steinman, so I was rather disappointed that the rather lightweight boyband Westlife recently covered his song Total Eclipse Of The Heart. Mind you, I was even more disappointed to hear that Steinman had done a remix of their version of the song, which the record company then decided not to release. I appreciate that he’s ‘work for hire’ in that situation, but if anyone should know how to do a version of that song, you’d think it might be the chap who wrote it.
Anyway, the song’s never been properly released, which means that there’s no legitimate way of getting hold of it… but then again, as we all know, there’s often more than one way to rip a track.

Hmm, a slightly link-heavy post today, I suddenly realise. Still, I like to share the fun stuff around if I can…

Russell T Davies At BAFTA

No, I’m not talking about nominations for awards – on Tuesday 17 March at 6.45pm, he’ll be in conversation.

The talk takes place at the Princess Anne Theatre, 195 Piccadilly in London, and is going to cover his work in Children’s TV, and his feelings about the audience and future of that section of programming.

It sounds pretty interesting, and he’s a man who knows about TV which appeals to all generations, so I’d say his opinions are worth listening to. If you want to book tickets (which are free for BAFTA members, and £10 for the rest of us), you can do so here.

One Of The Worst Valentine’s Dinner Dates In The History Of Humankind

Despite the cynicism and world-weariness which hangs over this blog like a sea mist, I am in fact a romantic and chipper chap. And unlike sitcom husbands and the men in advertland, I actually remember things like birthdays, anniversaries and other occasions, and try to treat m’laydee whenever I can.

So please remember this when I tell you about our night out on Saturday, though do bear in mind the title of this post, and my little warning right here and now that this story probably isn’t going to go the way you expect; the night certainly took a turn I hadn’t anticipated, I have to say.

Anyway, the tale. Both Mrs Soanes and I are, for a number of reasons, admirers of Oscar Wilde, and so I booked us to stay at the Cadogan Hotel. Oscar Wilde used to stay in this hotel, and indeed it was in room 118 that he was arrested, as rendered into poetry by Sir John Betjeman. The picture accompanying this post is of the door of Room 118 in the Cadogan, a snap taken by Mrs Soanes (embiggen it to see Oscar’s almost-hidden face). After booking into the hotel, we would make our way to Kettners Restaurant, where Wilde and his chums used to dine. Well, that was the plan, anyway.

We checked into the (very swish) hotel as planned, and changed clothes before hailing a cab and heading off into London’s glittering West End. As the night drew in and the neon of the city shone all around, I suddenly realised that there was a dead patch in my vision, a sure sign that I was getting a migraine headache. I hoped it wasn’t the case, but it was all too clear that I was on the road to partial blindness, nausea and all the fun that a migraine has to offer, and so I said as much to Mrs Soanes, who’s as tolerant of my infirmities as she is of my personality defects, and we had the cab driver turn around and take us back to the hotel.

Once a migraine strikes, the best thing for me to do is to lie in the dark until the shimmering-metallic-vision-distortion passes, and thankfully it did so relatively quickly, leaving me feeling a bit bruised but still game for dinner (in fact, as usual after a migraine, I was ravenous once the worst had passed). My lovely spouse was, of course, still owed a dinner, so we went to Langtry’s restaurant – next door to the Cadogan, and named after Lillie Langtry, who used to live at that address (and a friend of Oscar Wilde, to boot).

They were kind enough to fit us in with mere minutes’ notice, and after we’d sat down and ordered some drinks, another couple was led to the table next to ours.
“Can I sit in this chair?” said the woman to her companion.
“No,” he said brusquely. “I want to sit there.”
And so she sat in the other chair, and looked unhappy about it for a few minutes before saying as much. This, though, was not the bad dinner date of which I wish to speak (after, granted, much build-up). This couple asked to be moved, and they were taken to another table. In a way, their rather odd interaction turned out to be the warm-up act for a couple who took their seats at the table, and as time went on, appeared to be the exact opposite of what a date should be.

I’m not going to describe them physically, save to say that he was a fair chunk of years older than his date, which rather uncharitably led me to wonder if there was… let’s call it ‘a transactional element’ to them spending time together. I don’t know if they hadn’t met before, barely knew each other from work or similar, or perhaps had never communicated except via IM or e-mail, but frankly they really didn’t seem to be suited to spending any time together, let alone a Valentine’s Day dinner.

As this post (and so many others) makes tediously obvious, finding words is not really a challenge for me, and the same can honestly be said for my lovely wife, whose articulacy and readiness with a quip or bon mot is never in doubt. I appreciate that not everyone necessarily feels able to just talk and talk (and, yes, talk) the same way as us, but the behaviour at the table next to ours seemed to stem less from a sense of awkwardness and unfamiliarity, and more from … well, frankly, borderline contempt. The highlights of the evening’s hostilities included:

– He started to twiddle the stem of his wine glass between thumb and index finger, making the base of the glass rotate on the table.
She (sharply): What are you doing?
He (stopping): Nothing.

– She sat back with her arms crossed, staring through the table. He resorted to reading the label on the bottle of mineral water.

– She asked if, instead of the dessert wine which was served as part of the set menu, she could have a glass of champagne. The waiter said yes, and went to get the champagne.
“That’s not part of the set menu,” said her date.
“But I don’t like the dessert wine,” she replied.
“I’ll have to pay extra!” he said, and then sat – I kid you not – with his head in his hands for a couple of minutes.

– An awkward discussion as to whether the set menu price would include the optional 12.5% service charge. Swiftly followed by a brief chat about which credit cards the restaurant accepted. He hoped that they accepted American Express, but was worried that they might not.

– The waiter asked if she’d prefer red or white wine.
“White – I don’t drink red wine!” she replied, with more assertiveness than strictly necessary.
This was, in all honesty, one of a number of examples of both of them making the waiter and manager feel as if the food or service was substandard (it wasn’t).

– Silences. Yawning crevasses of silence, during which time they stared at the walls, curtains, crockery and cutlery.

As we left, I made a point of thanking the waiter for being so accommodating (not only had they taken us in at short notice, they’d provided tasty veggie options for me), slightly louder than necessary, because whilst there’s definitely such a thing as bad service, it’s also possible to be a difficult customer, and these two were certainly doing this – to my mind, they were redirecting their hostility and awkwardness towards the staff, and without any justification. The saying goes ‘if the person you’re with is nice to you, but rude to the staff, chances are they’re not a nice person’, and that applied to this couple, I fear.

For the record, my delightful companion and I chatted quite cheerfully during the course of our meal, and the food was very good – I wouldn’t want you to think that we also sat in silence, watching and listening to our neighbours’ every move; we didn’t, but it was faintly off-putting to be so close to what looked like a very bad night out. ‘There but for the grace…’ and all that.

We left before they received their bill, so I don’t know how much fun that involved – I have a horrible suspicion there may have been some objections about items which they’d been charged for and a possible hooh-hah about the method of payment – but as we went, I realised how insanely lucky I am; not just to be married to a remarkable woman, but also, on a simple level, to generally not find myself in social situations where I genuinely feel I have nothing to say.

I’ve never classed myself as some kind of smooth-talkin’ Casanova, but the one simple rule I’ve always clung to when conversation appeared to be on the brink of dying is this: ask open questions. What did you do today? What do you do for a living? Do you like it? Do you get on with your family? How long have you lived in [wherever]? Do you like it? Why [not]? Did you like school? Have you travelled much? And so on.

It’s not that people – as the cynics aver – are always hyperkeen to talk about themselves, but it’s a subject they know about, and in their answers you not only tend to find more possible questions and conversation topics, but also possible points of connection between you. And if it’s a date, and at the end of it either or both of you decide that it’s the end of it, well, at least you had a chat.

Unlike the couple I observed on Saturday night – granted, for all I know, they might have gone to a hotel room and made sweet love until dawn. Which is fine, but they’re probably better off sticking to the sweet lovin’ instead of dining at restaurants. One should, after all, always play to one’s strengths.

In conclusion, surely conversation should be a two-way thing: to paraphrase the immortal words of the sadly-all-too-mortal Mr Wilde, “the only thing worse than not being talked to is not being listened to”.

What Kind Of World Do We Live In?

What kind of a world do we live in where a major electronics corporation makes it possible for people to invite their friends round for a “wii sports party”? The barbarians are at the gates, I swear.

Actually, that juvenile homonym pales in comparison to the revelation that a well-known maker of electrical goods has branched out into a very specific area of the marketplace – see here. Shocking.

And please, don’t ask how I know about that.

From My Valentine’s Day Postbag

Well, it’s 14 February, the day devoted to Saint Valentine, the patron saint of greetings cards, ah ha ha, and I thought I’d share a couple of romantic and charming nuggets from my virtual postbag.

Firstly, there’s always the question of what to eat on a romantic occasion – so I was very relieved to receive this, which rather charmingly puts a price on love – it’s 25% over £25, apparently. Oh, you shouldn’t have.

And then on such an occasion, one’s thoughts turn to what to do by way of demonstrating your affection. I had no ideas, so I was thankful to be sent this. The first film listed wasn’t quite what I was after – a love triangle doesn’t speak of undying affection – but the second film down, well, now that’s what I call romantic! Looks like a bit of a chick-flick, obviously, but I’d be willing to endure it. That’s the kind of sensitive, giving chap I am.

May your postbag, real or virtual, contain whatever you may wish today. If that means cards and whatnot, all well and good, but if it means nothing at all or even letters from the bank or relatives, then I hope that happens for you too.

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