Category: London Page 5 of 12

Being Human Does, After All, Involve Questions and Answers

BBC Writersroom are hosting another in their ongoing series of Q&A sessions with TV and radio creators, this time with Toby Whithouse, whose most recent creation is the BBC3 series Being Human. Which is a rather good show, and if you’ve not seen it, you should give it a look.

It takes place at the Soho Theatre here in London Town on Wednesday 4 March, from 5pm, and you can get your name on the guest list by sending an email to writersroom@bbc.co.uk, with the subject line “Toby Whithouse Q&A”.

Full details of the event can be found here.

I plan on attending*, and I gather Steve ‘no relation to Jenny’ Colgan will be there too – what about you?

*Which is to say, I’ve e-mailed asking to be added to the list.

New In Town, You Say? Watch Out For The Chap Loitering Behind You Then, He May Be A Local Reprobate

There then, the promotional poster for the film New In Town – well, I couldn’t actually find the UK version online for some reason, but this is pretty much it (just imagine a portrait format version of the right-hand side, with a different release date, and that’s about it).

This poster (and side-of-bus versions of it) is currently very visible all over London, and I presume other locations; it rather caught my eye because it seems to be a perfect example of a film poster telling you what the film’s going to be about. At first, this made me roll my eyes, but on reflection, I’m vaguely impressed by it. I shall explain why.

I knew nothing about the film when I first saw the poster, but from the details on it, I was able to reach a number of conclusions about the general nature of the film – and this isn’t some kind of brag about my deductive skills, I think pretty much anyone could reach the same conclusions from the image.

So, the title lets us know she’s new in town, and from the looks of the snow and her clothes she’s not used to that kind of weather, whilst the lurking man in more suitable attire suggests a local resident, and probable love interest. The general look of the poster – the colours and their expressions – suggests a rom-com, so I guessed that we’re looking at a fish out of water story of a woman who finds herself in a small town for whatever reason and eventually finds love there and so on (and m’wife pointed out the posh luggage, which suggests she may be used to the finer things in life but have to get used to a snowbound location or whatever).

Those were our guesses, then, and they’re pretty much right, apart from my thought that she might have been stranded there because of transport trouble (as in Just Friends) – it turns out she’s posted there by her employers. So the poster had done a good job of conveying the overall theme – and I’m kind of impressed by that, as a lot of poster ads seem not to make much sense unless you’ve seen the accompanying TV or film spots as well.

However, having concluded this, I rather rolled my eyes, as this sounds like a film which we’ve seen many times before, and which I can certainly do without seeing again. I was reminded of Jonathan Ross on Room 101, when he said he didn’t want to see any more underdog films, as he’d seen that story so many times before.

True, we live at a stage in human history where we probably have access to a greater amount of culture and information than ever before, and that means that if I want to watch a film from 1951 featuring some plucky underdog, I can probably find it on TV or DVD, and go ahead and watch it, without the studios really needing to continue to make such films. I’ve seen a fair few of these films at the cinema, and like Ross I’ve probably seen enough of them to be going on with (and I’m not a paid film reviewer), but there’s clearly still an audience for those films, as much as I’ve probably had enough of them. There are, no doubt, people watching underdog films at the cinema now who weren’t even born when, say, Rocky was released.

And so, in much the same way, there seems to be an audience for films like New In Town – people less jaded and aged than I who want to see something light and amusing; it looks like a pretty archetypal ‘date movie’, and there are always people going out on dates, after all. So, having thought ‘oh no, not another film like that’ at first, I now find myself thinking ‘actually, there’s an audience for that, and the poster probably does a pretty good job of making it clear what it’s about, to that audience’.

Who would have thought that an advertising poster would have made me think so much? Not I (then again, I’m always surprised when anything makes me think at all).

Mind you, I’m not going to be plonking down the hard-earned to actually see the film, so in its main aim, I guess the advert has totally failed.

Russell T Davies At BAFTA

No, I’m not talking about nominations for awards – on Tuesday 17 March at 6.45pm, he’ll be in conversation.

The talk takes place at the Princess Anne Theatre, 195 Piccadilly in London, and is going to cover his work in Children’s TV, and his feelings about the audience and future of that section of programming.

It sounds pretty interesting, and he’s a man who knows about TV which appeals to all generations, so I’d say his opinions are worth listening to. If you want to book tickets (which are free for BAFTA members, and £10 for the rest of us), you can do so here.

One Of The Worst Valentine’s Dinner Dates In The History Of Humankind

Despite the cynicism and world-weariness which hangs over this blog like a sea mist, I am in fact a romantic and chipper chap. And unlike sitcom husbands and the men in advertland, I actually remember things like birthdays, anniversaries and other occasions, and try to treat m’laydee whenever I can.

So please remember this when I tell you about our night out on Saturday, though do bear in mind the title of this post, and my little warning right here and now that this story probably isn’t going to go the way you expect; the night certainly took a turn I hadn’t anticipated, I have to say.

Anyway, the tale. Both Mrs Soanes and I are, for a number of reasons, admirers of Oscar Wilde, and so I booked us to stay at the Cadogan Hotel. Oscar Wilde used to stay in this hotel, and indeed it was in room 118 that he was arrested, as rendered into poetry by Sir John Betjeman. The picture accompanying this post is of the door of Room 118 in the Cadogan, a snap taken by Mrs Soanes (embiggen it to see Oscar’s almost-hidden face). After booking into the hotel, we would make our way to Kettners Restaurant, where Wilde and his chums used to dine. Well, that was the plan, anyway.

We checked into the (very swish) hotel as planned, and changed clothes before hailing a cab and heading off into London’s glittering West End. As the night drew in and the neon of the city shone all around, I suddenly realised that there was a dead patch in my vision, a sure sign that I was getting a migraine headache. I hoped it wasn’t the case, but it was all too clear that I was on the road to partial blindness, nausea and all the fun that a migraine has to offer, and so I said as much to Mrs Soanes, who’s as tolerant of my infirmities as she is of my personality defects, and we had the cab driver turn around and take us back to the hotel.

Once a migraine strikes, the best thing for me to do is to lie in the dark until the shimmering-metallic-vision-distortion passes, and thankfully it did so relatively quickly, leaving me feeling a bit bruised but still game for dinner (in fact, as usual after a migraine, I was ravenous once the worst had passed). My lovely spouse was, of course, still owed a dinner, so we went to Langtry’s restaurant – next door to the Cadogan, and named after Lillie Langtry, who used to live at that address (and a friend of Oscar Wilde, to boot).

They were kind enough to fit us in with mere minutes’ notice, and after we’d sat down and ordered some drinks, another couple was led to the table next to ours.
“Can I sit in this chair?” said the woman to her companion.
“No,” he said brusquely. “I want to sit there.”
And so she sat in the other chair, and looked unhappy about it for a few minutes before saying as much. This, though, was not the bad dinner date of which I wish to speak (after, granted, much build-up). This couple asked to be moved, and they were taken to another table. In a way, their rather odd interaction turned out to be the warm-up act for a couple who took their seats at the table, and as time went on, appeared to be the exact opposite of what a date should be.

I’m not going to describe them physically, save to say that he was a fair chunk of years older than his date, which rather uncharitably led me to wonder if there was… let’s call it ‘a transactional element’ to them spending time together. I don’t know if they hadn’t met before, barely knew each other from work or similar, or perhaps had never communicated except via IM or e-mail, but frankly they really didn’t seem to be suited to spending any time together, let alone a Valentine’s Day dinner.

As this post (and so many others) makes tediously obvious, finding words is not really a challenge for me, and the same can honestly be said for my lovely wife, whose articulacy and readiness with a quip or bon mot is never in doubt. I appreciate that not everyone necessarily feels able to just talk and talk (and, yes, talk) the same way as us, but the behaviour at the table next to ours seemed to stem less from a sense of awkwardness and unfamiliarity, and more from … well, frankly, borderline contempt. The highlights of the evening’s hostilities included:

– He started to twiddle the stem of his wine glass between thumb and index finger, making the base of the glass rotate on the table.
She (sharply): What are you doing?
He (stopping): Nothing.

– She sat back with her arms crossed, staring through the table. He resorted to reading the label on the bottle of mineral water.

– She asked if, instead of the dessert wine which was served as part of the set menu, she could have a glass of champagne. The waiter said yes, and went to get the champagne.
“That’s not part of the set menu,” said her date.
“But I don’t like the dessert wine,” she replied.
“I’ll have to pay extra!” he said, and then sat – I kid you not – with his head in his hands for a couple of minutes.

– An awkward discussion as to whether the set menu price would include the optional 12.5% service charge. Swiftly followed by a brief chat about which credit cards the restaurant accepted. He hoped that they accepted American Express, but was worried that they might not.

– The waiter asked if she’d prefer red or white wine.
“White – I don’t drink red wine!” she replied, with more assertiveness than strictly necessary.
This was, in all honesty, one of a number of examples of both of them making the waiter and manager feel as if the food or service was substandard (it wasn’t).

– Silences. Yawning crevasses of silence, during which time they stared at the walls, curtains, crockery and cutlery.

As we left, I made a point of thanking the waiter for being so accommodating (not only had they taken us in at short notice, they’d provided tasty veggie options for me), slightly louder than necessary, because whilst there’s definitely such a thing as bad service, it’s also possible to be a difficult customer, and these two were certainly doing this – to my mind, they were redirecting their hostility and awkwardness towards the staff, and without any justification. The saying goes ‘if the person you’re with is nice to you, but rude to the staff, chances are they’re not a nice person’, and that applied to this couple, I fear.

For the record, my delightful companion and I chatted quite cheerfully during the course of our meal, and the food was very good – I wouldn’t want you to think that we also sat in silence, watching and listening to our neighbours’ every move; we didn’t, but it was faintly off-putting to be so close to what looked like a very bad night out. ‘There but for the grace…’ and all that.

We left before they received their bill, so I don’t know how much fun that involved – I have a horrible suspicion there may have been some objections about items which they’d been charged for and a possible hooh-hah about the method of payment – but as we went, I realised how insanely lucky I am; not just to be married to a remarkable woman, but also, on a simple level, to generally not find myself in social situations where I genuinely feel I have nothing to say.

I’ve never classed myself as some kind of smooth-talkin’ Casanova, but the one simple rule I’ve always clung to when conversation appeared to be on the brink of dying is this: ask open questions. What did you do today? What do you do for a living? Do you like it? Do you get on with your family? How long have you lived in [wherever]? Do you like it? Why [not]? Did you like school? Have you travelled much? And so on.

It’s not that people – as the cynics aver – are always hyperkeen to talk about themselves, but it’s a subject they know about, and in their answers you not only tend to find more possible questions and conversation topics, but also possible points of connection between you. And if it’s a date, and at the end of it either or both of you decide that it’s the end of it, well, at least you had a chat.

Unlike the couple I observed on Saturday night – granted, for all I know, they might have gone to a hotel room and made sweet love until dawn. Which is fine, but they’re probably better off sticking to the sweet lovin’ instead of dining at restaurants. One should, after all, always play to one’s strengths.

In conclusion, surely conversation should be a two-way thing: to paraphrase the immortal words of the sadly-all-too-mortal Mr Wilde, “the only thing worse than not being talked to is not being listened to”.

“London, This Is Snow. Snow, Meet London.”

As everyone else has already pointed out, yes, it’s snowing in London today.

And I couldn’t get to work… but it’s not all bad, as the accompanying pictures show (the better photo was taken by Mrs Wife).

Looks like we’ll be going to the park soon, so may have more to share later … oh lordy, this blog post is dangerously close to becoming a Facebook status update, now, isn’t it? Still, I comfort myself with the fact that, twice when I tried to type it, I accidentally typed ‘Faecebook’…

Bright Lights, My City

I live, as I’ve probably mentioned several million times before, in London. And I love it – the city’s endlessly fascinating, and it’s been kind to me, bringing me a number of opportunities and friends I doubt I would have encountered elsewhere (and yes, that includes my lovely wife).

So, it’s with an utterly ill-founded sense of pride (seeing as how I wasn’t actually born in London, as much as I consider it my home) that I provide you with the link to this page, where you can see a selection of frankly stunning aerial pictures of London taken at night by the ferociously talented photographer Jason Hawkes.

The picture reproduced here, I hope, gives you a hint of the delights that await you – and yes, I chose this one because it’s a view of my manor, East London. Other than that, and unusually for me, I have little else to add – save that to point out that the picture above is, of course, totally and utterly copyright Jason Hawkes, and the reproduction here is done out of respect and awe as opposed to any kind of attempt to infringe!

Anyway, stop reading my semi-disclaimer, and get thee to the pictures!

If I Scribble The Name In A Hurry, It Looks More Like Tate Modem

Thanks to Lianne for pointing out that the Tate Modern art gallery is running a story-writing competition; in conjunction with its current TH.2058 installation, you’re invited to write a 1500 word piece in keeping with the themes. The prize is quite an interesting one – six stories will be selected to be included in a downloadable audiobook, which will be read by Christopher Eccleston.

The competition closes on Sunday, and if you want to read my entry, Brittle, it was posted on the site this morning (they moderate entries to make sure there are no offensive or libellous aspects, which seems sensible), and you can see it by clicking here.

Let me know if you have a go, and if you want to comment on my story, by all means do so.

Does, As They Say, Whatever A Spider Can

Spotted yesterday on the side of a fairly tall London building; a window-cleaner who, in the absence of one of those lower-you-down cradle things, was abseiling down the side of the building, washing the windows as he went.

You can make out the bucket, which was suspended from his waistband.

Fair made me grin as I made my way into work, it did.

BAFTA Film Nominations 2009

The nominations were announced just before 8am, and for those of us who couldn’t make it down to Piccadilly for that time in the morning, the list is here.

A good showing for Slumdog Millionaire and Kate Winslet, and because he always sounds so darned affable on Adam and Joe’s 6music show, I’m pleased for Garth Jennings to be nominated for the Carl Foreman award.

To my mind, a generally interesting list, even if it does suffer the perennial problem of containing films which aren’t yet out in the UK (Frost/Nixon, The Curious Case Of Benjamin Button), thus rendering it a bit difficult to have an entirely certain opinion.. Not that lack of knowledge is usually an obstacle to me having an opinion.

And nor should it be for you; anyone have any strong feelings about any of the nominations? Do share.

Always Rings Twice? It’s A Miracle If The Postman Rings The Once

It’s probably fortunate that I didn’t have a blog at the time, but a few years ago, the local sorting office decided to start telling lies about me. I’m sure of this, because various bits of post – including test items that I sent to see if my suspicions were true – were returned to sender with a sticker on saying ‘Gone Away’. It was annoying (especially as it was just before Christmas), and ultimately a serious problem, as the bank (not entirely unreasonably) saw the ‘returned Gone away’ on my statements and suspended my account. Thanks Royal Mail, I hope you enjoyed the money that you were paid in advance to perform a service.

Anyway, that eventually stopped – though not without a lot of hassle from my end – but in recent weeks it appears that the local postman has found a new way to not do his job properly but still take home the pay. A fortnight ago, m’wife was home and went to check the post at about 11am, and saw that there was a ‘Sorry You Were Out’ card on the mat. However, not only had there been no buzz on the buzzer (and she wouldn’t have missed it, ours is very loud), but the ‘attempted delivery’ was noted as having been at 11.45am. Being one who enjoys a touch of sarcasm, she immediately called the local sorting office and asked if our postman was the owner of a Tardis.

They made suitably apologetic noises, and confirmed that yes, the parcel was waiting to be picked up – given that we’re nowhere near the end of the route, it seems probable that the parcel never actually left the sorting office, and that the postman had decided to drop the card in without trying to deliver so he didn’t have to carry the parcel (not a large one, incidentally). I mentioned the above in passing at work the next day, and a colleague agreed this was likely to have been the case – he’d heard a card being dropped through the letterbox (without any knock or ring of the bell), and run down the road after the postman and asked for his item, to be told that er, um, actually the parcel’s back at the depot.

This morning, we received another Sorry You Were Out card – again, with no buzz at the door – and after Mrs Soanes and I had grrred and ground our teeth a bit, I Googled to see if other people had experienced the same level of non-service from Royal Mail. I expected a few matches, but there were literally dozens of people who’d received You Were Out cards with no attempt to establish if they were in fact out. Startling.

Those people, mind, were strangers, and so I’m keen and eager to know if you good people, who actually have names and some of whom I’ve had the good fortune to actually meet in person, have had similar experiences. Have you chased a Royal Mail employee down the road to be told they don’t actually have the item? Have you had cards dropped through without the doorbell being pressed or a knock at the door? Or are you a Royal Mail employee who could disabuse me of the notion that sometimes the post staff just write up the Sorry You Were Out cards in advance, and leave the items at the depot so they’ll have less to carry? Like the Jeremy Kyle research team, we want to hear from you (though you won’t get shouted at ).

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