Author: John Page 66 of 121

In Which I Advance The Startling Theory That Academia, More Particularly College, May Not Always Be The ‘Practice For Life’ It Is Often Said To Be

I went to college between 1989-1992, and I think it’s probably fair to say that the atmosphere, in relation to gender politics, was pretty heated.

I like to think of myself as fairly equal-minded in terms of sex and sexism; I believe women have every right to do and say whatever men do and say, and I’m happy to say as much. I even use the grammatically incorrect ‘they’ instead of the pronoun ‘he/she’ or ‘s/he’ for someone whose gender I’m not sure about – I know it’s not proper grammar, but if I get, say, a letter from someone called Chris, I’ll say ‘they wrote to me on Monday’ when referring to them. I think it’s slightly more elegant, even if it’s frowned upon (and I understand why, but I find any ‘option/other option’ phrases rather break the flow of a sentence, be it written or spoken. Or, perhaps, written/spoken?).

So, given all this, and the fact that, as a chap in his late teens who was keen to appear sensitive and thoughtful to young ladies of my acquaintance, it was amazing how… hmm, hold on a minute, I’d better just make one thing clear; the following is my experience only, and in no way do I see this as representative of all women at all times or anything like that. This is a recollection of stuff that happened to me, and how it coloured my reactions and responses in the years that followed. I’m not daft enough to think that what happened was like some kind of litmus test for women everywhere and all stages in time. As time goes on, it becomes all too clear to me how startlingly and fascinatingly different people can be, even those with similar backgrounds or influences.

Anyway, it was amazing to my late-teens self to spend time with female students and see how much of their conversation seemed to revolve around how fundamentally rubbish men are. There was a lot of shared-experience stuff about boyfriends who were only after one thing, or how they never called after sleeping with them, or even (and there was a mini-outbreak of this) how their fathers had run off with other women (used, oddly enough, as a justification for treating male students badly, because – and these are the exact words used – “they’re only going to grow up to run off from their wives anyway”).

When called upon to discuss what they looked for in a partner of the opposite sex, many of my male friends were able to provide a list of their preferences (even if much of the time it consisted of words beginning with ‘b’ – blonde, brunette, and references to more specific body parts), but most of my female friends, I noticed at the time, were more adept at articulating what they didn’t want – he wasn’t to be too fat, or too short, or too obsessed with work, or too into football, or whatever. A minor point, granted, but I think it may have been symptomatic of a more negative slant.

And particularly in the realms of academia, where there’s a lot of emphasis on the ability to formulate, synthesise and articulate theories on various subjects (including, of course, issues of sex and gender), some of my female peers read a lot of material at the time which probably served to make them think that yes, all wars were born of sublimated and frustrated sexual desires on the part of men, that eating disorders have their roots in male wishes for women to be as small as possible so as to appear less significant in intellectual terms, and that a consensual sexual experience which the woman finds unfulfilling is ultimately akin to rape. These are all theories I genuinely heard discussed, and whilst each of them may well contain a kernel of truth or insight, experience in the years since has led me to suspect that the theories, like most blanket statements, were probably a simplification, and that ‘one size’, as it were, did not fit all. At the risk of sounding like one of David Tennant’s more excitable moments as the Tenth Doctor, humanity is often more varied and interesting and surprising than we might well give the species credit for.

I often found myself listening to arguments being advanced which seemed a bit suspicious (particularly the claims that they personally had been oppressed by men all their lives; those who argued this most emphatically were, I later realised, often those whose college years were being funded by their parents, and often their father was the main breadwinner, which was, um, confusing to get my head round), and as a male, I was often made to feel somehow implicated in this, as if I was part of some kind of patriarchal elite whose sole agenda item was the subjugation of women, now and forever. Having been directly told more than once that my opinions on any gender-related subject were inherently questionable because of my sex, I rarely ventured to make any comments as I sat and my female peers talked, often late into the night; theories were exchanged and advanced and piled one upon another until they reached startling and dismaying proportions. The whole world, it seemed, was little more than a machine to rape and mutilate women and render them helplessly subhuman, merely because of the arrangement of their chromosomes. The accumulated theories cast a grim shadow, making the society we’d enter upon leaving college seem dark and daunting, and the shadow loomed large, too, over my relationships with women for a while after I left academia.

Sometimes, however, things were said in seriousness that might have been more plausible as some kind of ironic joke, and I did challenge the ideas put forward; I would say something, because I felt an affront to either reason or my sense of self. Or both. One of my proudest moments, I’m both pleased and ashamed to admit, came when, after an evening of half a dozen female students lamenting the shortcomings of their boyfriends (current, previous and potential) and then men in general, the following exchange took place:

Female student: I mean, the thing is, all men are bastards.
Me: Well, that may be true, but all women generalise.
Female student: What ? God, John, I can’t believe you’d say something so sexist.

As I said at the start of this long digressive ramble, the gender-political atmosphere was heated in the late 1980s, and rather clouded, and it was probably another decade before ‘irony’ would feature more heavily in our lives. But as I say, I’m appallingly proud of that line, and chances are I’ll use it again if another suitable opportunity presents itself.

Being someone who wanted (even then) to write for a living, it was also alarming to be told that ‘men can’t write women characters’. I didn’t believe it then, and I don’t believe it now, and I never got a satisfactory answer to my reversal question: “Does that mean women can’t write male characters?” But it was a worrying notion – I could only legitimately attempt to write male characters? That seemed horribly limiting.

But upon leaving college, and entering what is commonly known as ‘the real world’, it became abundantly clear to me that the hothouse atmosphere of college was a mini-world with very different standards to that of many of the people I met subsequently; in much the same way that I read books or watched plays or films or TV shows in which there were credible female characters written by men, I found that women didn’t see all men as predators or oppressors, and indeed large numbers of the women I met laughed at a lot of the more outré theories about gender politics. To my relief as a heterosexual male, I realised that a lot of women actually like men, as friends or more, and that although they were often faintly disappointed or disapproving in relation to their experiences with men, they were laughingly tolerant of this more than anything else. Which came, frankly, as something of a relief.

And that’s generally been my experience post-college, thankfully – with the odd exception – and I’ve come across much more willingness to accept or acknowledge and even celebrate the differences between men and women, and despite what John Gray might have us believe, a recognition of the fact that men and women are both, in fact, from the same planet, and that it’s probably best if we all try to get along.

Which is why this article, in a magazine called ‘Intelligent Life’, unfortunately reminded me of this period of my life. Frankly, I shook my head slightly as I read it, and tried to imagine whether The Economist’s spin-off magazine would publish a similar article if its target were women. It seems unlikely… and in fact their follow-up article seems more of an attempt to mine the same seam than to seek some kind of balance.

Once, when the word ‘misogyny’ had been been thrown around a late-night college conversation with considerable abandon, I asked one of my female friends if there was an equivalent word for being anti-men (perhaps, though I couldn’t swear to it, because there was a niggling feeling in my mind that much of what I was hearing amounted to a verbalised hatred of males). I wasn’t trying to be clever, or sarcastic, I genuinely wondered if there was such a word. “No,” she said. But there is – the word I was seeking exists, and it is ‘misandry’.

And just like misogyny, it is a bad thing.

Mind You, Nudity Does Tend To Help Sell Stuff

Almost exactly a decade after Lars Von Trier’s film made under the ‘Dogme’ banner, Sigur Ros … er… pay tribute to it with their latest album cover.

Oftentimes, What’s Deliberately Omitted Is More Revealing Than That Which Is Present

Coinciding with the EU Unfair Commercial Practices Directive being enacted into law in Europe, outlawing (amongst other things) advertising something by taking quotes out of context, is this really an world-leader way to go about quoting someone?

Still, I’m sure he knows best, and that history will place him higher in the pantheon than Jefferson.

Please Be Aware That All Communications With Me May Be Remembered For Anecdotal And/Or Mockery Purposes

During what I now call ‘my year off’ (when I was unemployed and living with my parents after college – so much for a law degree being a sure-fire guarantee of a job), I received a questionnaire from the local Health Authority.

It was one side of A4, and asked about a dozen questions, with a little box for ‘any comments you may have’ at the bottom. The first couple of questions were straightforward enough, but then things took a turn for the slightly odd, with queries such as

Are you still able to laugh, and maybe enjoy a programme on the wireless?

Do you sometimes feel a little sad that many of your friends are dying?

Gathering that it was probably aimed at someone of slightly more advanced years, I completed the questionnaire, added ‘By the way, I’m 23’ in the ‘other comments’ section and sent it back. Not much to my surprise, I heard nothing more on the subject. I guess whoever it was that was responsible for sending out the paperwork realised that I shouldn’t have been on the mailing list.

Flash forward fourteen years, to this week. The scene, the penthouse flat I share with my lovely fiancee. The two of us are reclining on chaises longues (oh, all right, comfy sofas) when the phone rings. I pick up the phone. Cue change of format:

Me: Hello?
Woman: Hello?
Me: Yes, hello. You rang me.
Woman: Is that Mr Soanes?
Me: Yes.
Woman: Oh, hello, this is Debbie from Acorn Stairlifts.
Me (to fiancee):This’ll be good.
Woman: We specialise in solutions for people who find it difficult to get upstairs. Would that apply to you?
Me: Not really, I’m 37.
Woman: What ? Oh… (starts to laugh)… probably not, then.
Me: No, I don’t think so. Bye.
Woman: (Still laughing) Goodbye.

Despite the fact that I wholeheartedly agree with Groucho Marx’s theory on age (“you’re only as old as the woman you feel”), I seem to get this sort of thing a lot – letters arrive every month or two offering me insurance for the over 50s.

Someone must have been telling lies about me, and I wouldn’t really mind them adding decades to my age if it meant I’d also gained an appropriate amount of wisdom and experience… but I think it’s painfully obvious that’s not the case.

The Place? A Packaging Design Agency. The Time? 2006, Just After Lunchtime

Boss: Gareth, got a job for you.

Gareth: Really? I was kind of hoping to get to the pub in time for a drink with Terry on his last day.

Boss: Well, you can probably still make it if you can think of a quick packaging design for this.

(Boss hands Gareth a small package)

Gareth: Didn’t this film come out a few years ago?

Boss: Yes, but they want us to come up with a new design for the PSP version.

Gareth sighs.

Boss: Anyway, I’ll be down the pub with the others, if you can think of something quickly I guess I’ll see you down there.

Gareth: Yeah, okay, but it’s not like there’ve been any DVD sleeves on a similar theme that I could just rip off, is there ? … Oh, wait a minute.

Cut to:
Five minutes later. Gareth is in the pub, drinking with Terry, his Boss, and some other colleagues.

Soundtrack : Opening Of ‘Mars’ from Holst’s Planets Suite

Last year, I got a tad overexcited when I entered the Red Planet Writing Competition. Granted, I didn’t win, or even make it to the second round, but it was the first full-length screenplay I’d written, and it was a useful learning experience.

Well, prepare for more blog posts of a similarly giddy nature, as they’ve just announced the 2008 Red Planet Writing Competition. As with last year, the prize consists of £5000, representation by a literary agency, and a script commission from Red Planet (makers of Holby Blue and Moving Wallpaper)> It’s not all the same as 2007, though – there are a couple of changes.

This year, the requirement is for entrants to send in the first ten pages of “a 60 minute pilot script with television series potential”, along with a one-page outline. Last year’s theme was more on the lines of a screenplay, if memory serves, and this year it sounds more like something for the small screen. Fair enough – especially as there’s no specified requirements in terms of genre or subject.

On a practical level, the scripts for this year’s competition are to be submitted by post, not e-mail. Like many people, I sent my entry last year and received an e-mail saying that the mailbox was full, which was a bit of a worry at the time, though kindly Danny Stack (who was involved with the competition) provided reassurance to me and folks in my situation to let us know if the script had been received. This year, it’s hard copy only (to be accompanied by this downloadable form ) – I suspect that Royal Mail may see a leap in their profits around the closing date of Tuesday 30th September as I, and no doubt many other folks, invest in Recorded Delivery or similar to make sure our entries actually arrive.

Anyway, I plan on entering – I have a vague notion for a TV show idea which I’ve been semi-mulling over for a while, and I think it’s a question of actively seeing if I can shape into something more definite with, as I believe they say, ‘legs’. Anybody else planning on sending something in ?

(I realise that posing a question like that, and possibly getting no replies, looks kind of tragic. On the other hand I like to think that this post might alert a few people to the Red Planet scheme who might otherwise have missed it. Which makes me feel socially useful, and assuages any sense that I might just be whistling into the wind. At least for now.)

I Don’t Ask For Much From You, Do I? Well, Do I ? Oh, Okay, So Maybe I Do. BUT…

As regular readers will know, this year, I’ve decided to let someone else be the winner of Marie Claire’s ‘London’s Most Eligible Bachelor Award’. Which is to say, I’m getting married. To a frankly remarkable woman, who I could start to describe my admiration and affection for, but I’d just go on and on and you’d all start to get bored of me doing so, and besides I need to save the good stuff for my speech on the Wedding Day.

Anyway, not only is Jules (for that is her name) kind enough to take me on to try and keep me out of trouble, but she also has an eye on the welfare of society at large – by way of proving this, I’d point to the fact that on Sunday 20th July, for the third year in a row, she’s taking part in Cancer Research UK’s Race For Life .

She’ll be doing the 5K walk round Regent’s Park, and whilst the sight of me cheering at the finishing line will be some measure of motivation (especially if I’m holding a gin and tonic), I’m sure it would really help her to keep them feet a-movin’ if some of you folks out there in blogland would be kind enough to sling some money towards sponsoring her.

If you click here, you can sponsor my lovely almost-wife online, at a totally secure website which also allows your donation to bulk up through the magic of Gift Aid at no expense to you. And, of course, all the money will go towards Cancer Research UK’s vital work fighting cancer.

At the risk of making assumptions about any of you good people reading these words, I rather fear that most of us know someone who’s been affected by cancer (either themselves or someone they care about), and so I hope that you can see why this is a worthy cause. No donation too small. Or too large.

If the warm glow of philanthropy (Phil’s so much nicer than his sister Miss) isn’t enough for you, then perhaps I can entice you to sponsor Jules by pointing out that the sponsor page also features a picture of her, grinning like the cheerful type she is, so if you’ve ever thought you’d be interested to see what one of the more tolerant women in the world looks like (or maybe she’s just hard of hearing), then pop over to the sponsor site and sate your curiosity. And then you should sponsor her, because otherwise I’ll get all angry about you lookin at my bird, all right?

Thanks – by all means tell her I sent you, it’ll help me prove that the folks of my acquaintance are kinder and more generous than hers, and I’d like to be the one of the two of us who’s proven right (it’d be the first time, after all, and I’m keen and eager to see how it feels).

Keine Klein Samizdat

The new paperback from Naomi ‘No Logo’ Klein there.

If I understand the reviews and the book’s general description correctly, it’s a pretty scary and searing indictment of the people who are manipulating world events to create a climate of fear from which they profit financially.

All pretty interesting, and more than a little creepy. But… well, the book sounds like it’s going to unnerve me and alarm me about the state of the world today, and it has a cover price of £8.99.

You see what I’m driving at here, right?

Are… Are These Words From The Future?

Given the ‘posting date’ at the foot of this review, and the slight vagueness around specific plot details and/or scenes, would I be overly suspicious to wonder if the writer of the review had actually seen the film?

I think there have been some press screenings, so I could be wrong, but the posting date certainly makes me suspicious. And not for the first time in recent weeks – this book review spends a lot of time talking about the background to the book, and makes very little reference to details such as writing style, pace, or dialogue, which rather led me to suspect that the book review was more likely to have been created from a combination of a quick skim and the information in Penguin’s press pack.

I’d prefer to be wrong, but it looks a bit questionable to me. What do you think?

Why Don’t You … Switch Off Your Internet Connection And Go Out And See Some Writers Talking Instead?

This week, many people will be going to the Screenwriters’ Festival in Cheltenham. I’m not going for time and money reasons, but if you are going along, do have fun, and try to bring me back some freebies.

For those of us left behind, there are still events of writerly interest taking place, and here are details of a couple which might be of interest…

Thursday 3rd July, 6.30pm : Sharman Macdonald In Conversation

Sharman Macdonald has written plays and films, and indeed her latest ‘The Edge Of Love’ is at a cinema near you right now, starring (unless I misremember) her daughter Keira Knightley, Sienna Miller, Cillian Murphy and Matthew Rhys. She’ll be talking with Kate Rowland of BBC Writersroom (who I’ve seen doing these things before, and I think she does a good job of keeping it informative to the would-be writers in the audience), and there’ll be a chance to ask questions afterwards.

It’s free to attend, though you need to get yourself on the list – which you can do by clicking on the link above and following the instructions, or by sending an e-mail to writersroom@bbc.co.uk.
It’s being held at the BAFTA building on Piccadilly in London’s glittering West End.

Saturday 12th July, 7.45pm : Alan Moore And Melinda Gebbie

I’ve sung the praises of Alan Moore here before, and this is a chance to see and hear him talking (something he does very eloquently and amusingly, in my experience), along with his wife and co-creator Melinda Gebbie, about their recent work Lost Girls.

It’s being chaired by Roz Kaveney, who I know as an editor and writer, and is being held as part of the London Literature Festival on the South Bank (specifically, in the Purcell Room at Queen Elizabeth Hall).

Comics as Literature, eh ? There’s progress in terms of critical acceptance – one day, it’ll be taken for granted to the extent that there are none of those ‘Pow! Zap! Comics Grow Up!’ headlines in the papers, but I’m not sure we’ll see that in my lifetime.

I’ve just realised that this post might actually prove useful or informative to some of you, and now I worry that I’ve set a dangerous precedent. Don’t worry, I’m sure I’ll be back to being facile soon.

Very, very soon.

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