The pictures are rather contrary to the way the characters normally behave in their respective roles, but nonetheless, submitted for your comparison: Kane ‘Often Jason Vorhees’ Hodder as serial killer Dennis Rader in the film BTK, and Nick Frost as Mike Watt in cracking TV comedy Spaced.
(If you haven’t seen either of these items, in all conscience, I can only recommend you watch Spaced. Despite BTK being based on real-life events, Spaced is actually the more believable.)
As we all know, the television production company Kudos have a nice line in popular and stylish TV programmes.
However, they’re not the first to have done so – there were a number of TV programmes in the 1960s and 1970s which were similarly smooth but also very entertaining. An obvious example would be The Prisoner, the classic TV series featuring the recently-passed Patrick McGoohan (not to be confused with Play School presenter Stuart McGugan, as happened more than once when I was growing up).
Anyway, all this is a typically lengthy preamble to alerting you good people to the fact that Network, a firm specialising in DVDs and soundtracks of many of the shows from this era, is currently running a sale on its website, with most items being 40% off.
So if you’re into Danger Men, Men In Suitcases, or even Motels At The Crossing Of Two Roads, you might want to have a gander before the sale ends at midnight on Sunday.
(I have no affiliation or bias in relation to Network, just wanted to make sure that you folks get to take advantage of the reduced prices. I like to think you’d do the same for me…)
The results were recently announced for the 2008 Art Vinyl prize for best record cover – here’s the BBC News link – and because I’m hip to the sound on the trip-hop streets, I thought Iād share two of the top three with you fine people.
The winner was the Fleet Foxes album, and in third place was Coldplay (both pictured here).
However, the reason I picked these two is because they don’t really strike me as particularly worthy of the prize – they are, after all, pre-existing pictures by Bruegel and Delacriox, with a few words added in white. I know there’s a debate to be had about the nature of art and creation and found objects and all that, but given that second place went to a wholly new image – and a pretty creepy one at that – on the recent Roots Manuva album (see it in glorious scare-icolour here), I think that it seems to be rewarding designer for cleverly choosing bits of old art as opposed to creating new images of their own.
Then again, looking at Art Vinyl’s own website, it seems to be more about the sale of frames in which to hang your vinyl albums on the wall as opposed to the sleeve art itself, so maybe I’ve just been duped into wasting braintime thinking about something which is little more than a thinly-veiled advertising ploy.
Darn it.
Then again, it appears that the news-gathering forces of the BBC were equally fooled, so I shan’t blame myself too much.
Besides, I never liked vinyl as a format very much when I was a youth in the 1980s, it was far from easy to play on my Walkman.
I’ve written before about my fondness for the TV show Twin Peaks, and I’ll no doubt do so again (perhaps, one day, even explaining why I like it so), and in case you haven’t guessed it by the start of this sentence… well, this is one of those posts. If you’re not interested in this subject, normal service (if that’s what it can be called) will be resumed as of the next post.
Anyway – for those of you who are still here – I was rather amused to hear that a Twin Peaks variant of a range of skateboarding trainers was being released; partly because it’s almost two decades since the show was last on TV, and also because I’m 37 years old, for goodness’ sake, and the idea of trainers featuring motifs from a TV show really shouldn’t elicit the question ‘Where can I get them?’ and have me reaching for the internet so quickly. Still, I think we’ve established I’m an overgrown infant, and so the pictures surrounding these words are pictures I’ve actually taken of my shoes, which I received yesterday.
The first picture gives you a general idea of the trainer – as you can see immediately, there’s an owl pictured on it, in line with one of TP’s signature phrases (or should that be warnings?) “The owls are not what they seem”. As well as the green stitching along the shoe, and the spare green laces supplied, there’s a hint of patterning on the ‘grey’ area which might be faintly fern-like or leafy, but that might be me looking for more of a bucolic motif than is actually present.
The second picture is perhaps not a usual angle to take a photo from, but people with perhaps even a passing familiarity with TP will probably understand why I did it; the red sides of the inside of the shoe, combined with the zig-zag pattern on the insole, combine to create an in-shoe replica of the ‘Red Room’, one of the series’ most memorable locations (if indeed it has a physical existence). Only certain people can enter the room, and in certain circumstances, but with these shoes any old clown (by which I mean me) can at least send their feet in. And, for what it’s worth it, they’re really rather comfy.
I’m no kind of trainer expert – though my father often maintains that I “should be trained by now, surely?” – but these seem well made, and comfy, with enough extras and doodads to keep Twin Peaks fans amused. How they work for skateboarding or other physical activities I couldn’t say, but there will probably be proper reviews elsewhere on the internet of that sort of thing. Oh, and one final touch I forgot to mention – the paper surrounding the shoes (in the box they arrived in) has a wood-style print on them, which seems to continue the generally ‘nature-based’ look of the whole package.
Overall, then, a nice job on a slightly odd choice of TP-tie in, and they’ve brought a smile to my face and a slightly increased bounce to my step. I got mine from Flatspot, and the service was very good, though of course other firms should be able to supply them.
Spotted yesterday on the side of a fairly tall London building; a window-cleaner who, in the absence of one of those lower-you-down cradle things, was abseiling down the side of the building, washing the windows as he went.
You can make out the bucket, which was suspended from his waistband.
Fair made me grin as I made my way into work, it did.
This was the poster they put out here in the UK – oddly enough, the theatrical poster used in other countries doesn’t make Julianne Moore look like herself either.
What’s all that abaht, then?
It’s an embarrassing thing when a band or music artiste you like puts out a not-so-good album, especially if you’ve previously been vocal in praising them. And in much the same way, it’s awkward for people who’ve made allegiances to political parties or even particular politicians, only for them to do something boneheaded or prove themselves unworthy of that support.
That said, I think that the annals of history are unlikely to view George W. Bush as a very good president at all. In fact, all things considered, I think it’s probably very likely that he’ll be viewed as the worst president that the USA has ever had. And, to my mind, rightly so.
Putting aside the issue of the non-finding of bombs or similar in Iraq – let’s leave that as the GOP elephant in the room, as it were – and the fact that he permitted torture and detention without charge (both in contravention of the UN Declaration on Human Rights) on his watch, let’s look at the record from the only perspective which seems to matter to many people – that is, the economic angle.
When Bush entered office, the federal budget surplus was $127bn. Last year, the federal budget deficitreached $455bn, and is expected to top $1trillion this year. That’s not good, is it? Obviously, a lot of this has been caused by expenditure on ā¦ er, let’s say international diplomacy, but even more of it is the result of the current economic situation, much of which appears to have been caused by banks. Now, one might argue that this should be blamed by the banks, but if you’re in charge of a country, you have the power to regulate banks; if you don’t do so and it all goes round the U-bend, it’s about as surprising as ā¦ um, well, the last time this happened as a result of unregulated lending institutions lending too much money on bad mortgages. Those who don’t learn from history are indeed condemned to repeat it.
Anyway, it’s all too easy to kind of write off Bush as a joke president, and the last eight years as some kind of comedic aberration, which would be fine if it many of the consequences of the last two presidential terms weren’t so un-funny. Here, though, is my favourite Bush-era joke, courtesy of Alan Moore:
Q: What do you call an eight-year-old Iraqi kid with no arms, surviving family members, or unblackened skin below his waist?
A: I don’t know. I was shouting at the TV and I didn’ t catch his name.
Ha ha ! It’s hysterically funny, isn’t it? Now watch this drive.
So, I can’t say I’ll be sorry to see the man go, not at all – but that doesn’t necessarily mean that I think Obama will be the cure to all ills, so please don’t go thinking that I hold any brief for the Democrats either. Though the fact Obama can string a sentence together suggests he may be nearer to the sort of candidate for the role that an electorate might hope for. And that, in essence is much of the reason why I’ll be pleased when Bush is out – there seems to be very little in his record which suggests that he’s fit to hold high office, and I think it’s a hard-fought argument to suggest that he’s the best man for the job, or the best representative of the USA. He’s supposedly quite charming in person, and great at the people-stuff, but that’s probably more appropriate for the mayor of a small town, or maybe the captain of a bowling league, if you want to play it safe.
None of this, I hasten to point out, should be construed as an attack on Americans per se – most USA-born folks I’ve ever met have been perfectly decent people, and their motivation and drive to better themselves (in whatever way they define that) is probably a lot stronger than that of the UK; M’colleague once pointed out the difference between the UK and the USA thus: “In the UK, if people see a Ferrari drive by, they’ll sneer at the rich swine. In the USA, people see a Ferrari drive by and decide they’ll work hard and buy one with the money they’ve earned”. A simplification, yes, but it’s certainly a difference that I’ve seen for myself, and it’s an admirable one. My point is, the american people deserve a better figurehead than they’ve recently had. Whilst I had serious reservations about John McCain’s running mate, the man himself seemed more plausible than Bush (when he spoke about war, he actually knew what he was talking about) – then again, even though he wasn’t elected President, he seems to be otherwise employed, playing Colonel Tigh in Battlestar Galactica.
Lots of words here on this subject, but for those of you who prefer political issues in numerical form, I’d urge you to have a look at the summary of the Bush era created by the US-based Magazine Harpers, which can be seen here. I would politely draw your attention to the amount of time he spent on, or en route to, holiday.
Speaking of things on the newsstands, the picture accompanying this post is the ‘variant cover’ of the current issue of Amazing Spider-Man, featuring President-as-of-tomorrow Obama. There’s been quite a bit of news coverage of this, for some reason, and when I went to my comic shop of choice the other day, I asked if they’d had much call for it. The chap behind the counter said yes, they had, but as it was a limited edition item, they’d run out almost immediately. “Quite a few people seemed to be buying it as a historic thing,” he said, “to note the event”. We agreed this was odd, as people could buy something a bit more immediately relevant, such as the newspaper that comes out that day. Or that week’s Time magazine. Though probably not, I’d like to think, the plate.
I try not to be overly quick to react to announcements about forthcoming films and TV shows and the like, mainly because I’ve been wrong before (and which of us hasn’t?).
Mind you, I was less slow to suggest that re-making the classic comedy series The Fall And Rise Of Reginald Perrin was probably a bad idea; the central performance by Leonard Rossiter would be hard to beat – which was pretty much shown by the follow-up series The Legacy Of Reginal Perrin, which lacked both Rossiter and a certain… indescribable something.
Anyway, I’m re-considering in a way, not because there’s been an announcement that Martin Clunes is to star (though he seems a perfectly nice chap), but rather because the new version is to be written by Simon Nye. Nye’s best known for Men Behaving Badly, but he’s shown that he can do darker comedy with the far-less-seen How Do You Want Me?… and more importantly the new series is being written in conjunction with David Nobbs, the creator of Perrin.
This, of course, in no way guarantees that it won’t be as much of a misfire as, say, Brighton Belles, but it may be all right. Am I hedging my bets? Probably – I love Perrin, and if it proves possible to do a renewed version that doesn’t urinate all over the memory of the original, and says something about workplace or midlife boredom, then I’ll un-narrow my sceptical eyes. If you’re feeling more keen to see it before it actually hits the screen, mind, you can see it being filmed at Teddington Studios by clicking here.
All that said, though, I have no idea quite how one distinguishes between a ‘remake’ and an ‘inspired update’, as per the quote on the BBC site. Still, at least it’s marginally more coherent than that ghastly non-phrase “re-imagining”…
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