Author: John Page 38 of 121

An Open Letter To The News Media Re: Swine Flu

Dear The News Media

I know I haven’t been paying much attention to you for a while – mainly since the whole Diana volte-face thing, though there’s no need for me to get into that again here – but I thought I’d just write you a quick note.

I notice that you’re currently rather concerned about alerting me to the possibility of swine flu. Not just me, obviously, everyone with eyes and ears to see, read or hear your latest updates, but I won’t presume to speak for other people. As you and I both know, public opinion is a startlingly nebulous thing, and can change overnight… yeah, okay, I’m circling back to the Diana thing there, I guess, so I’ll move on.

Anyway, whilst I really appreciate the warnings about swine flu, I… well, in all honesty, I’m beginning to think this is a bit of a cry wolf situation. You might remember that towards the tail end of 2001, you seemed intent on telling me that I was likely to receive anthrax in the post, and that didn’t happen to me at all (or to anyone else I know, come to that). And shortly after that, you alerted me to the dangers of SARS, and then bird flu, both illustrated with lots of pictures of people wearing those paper masks over their mouths, and much use of the word ‘pandemic’.

As we both know, I didn’t die of anthrax or SARS or bird flu. Some people did, granted, and that’s obviously a bad thing, but I’m kind of certain that the ratio of coverage to actual statistical risk was pretty badly out of whack. A cynical person might almost think that the issue was being exaggerated to fill column inches or airtime.

I’m sure you can see why I might be sceptical about the real likelihood of swine flu being a ‘pandemic’ (the preferred word for these things now, it seems, just as ‘terrorists’ are now ‘terror gangs’). I’ll bear the possible risks in mind, but on the basis of past experience, you can’t really blame me for thinking that you’re just scaremongering and talking out of your arse.

Hope the family’s well –

Lots of Love
John
xxx

Perhaps Unsurprisingly, This Question Was Prompted By My Watching Red Dwarf : Back To Earth

Will there ever be a post-Final Cut of Blade Runner, reflecting the original vision of Hampton Fancher and David Peoples?

Fame! Does It Make You Live Forever, Or Make A Man Take Things Over?

As you might have heard, Dan Brown, author of The Da Vinci Code, has a new book coming out in September.

I was very unimpressed by TDVC, and increasingly bewildered and then rather annoyed by the fuss surrounding it, though as M’Colleague pointed out, Brown probably had very little idea that the book would be as popular as it turned out to be, and that he probably wrote as good a book as he could. A fair point, and one for me to bear in mind when I start foaming at the mouth about Baigent and Leigh and how I didn’t believe them either.

Anyway, here’s an interesting – if rather slight – article on authors suddenly becoming successful.

My general feeling is that if you’re going to write for an audience, you have to be aware of the possibility – howsoever slim – that you might find yourself wildly successful and catapulted into the public eye… equally, you have to accept the possibility that you may toil away for years without anyone at all saying they like your work.

And like the final paragraph of that article, I suspect most writers I know would rather have to face the trauma of heightened expectations for the next book as opposed to wondering how the rent’s going to be paid next month.

500 of 1910, Two Men, A Queue

An interesting event if you’re a fan of The League of Extraordinary Gentlemen, though I can’t make it (grr)…

Creators Alan Moore and Kevin O’Neill will be signing the first volume of the new series, Century: 1910 at Gosh!, my favoured comic shop in London, next Saturday (2nd May), from 2pm-5pm.

More intriguingly, as the book doesn’t come out until the end of May, 500 copies are apparently being specially air-freighted over for this event. Unfortunately for those of us who can’t make it, they’re not takng reservations for signed copies of the book – the advance copies are going to be available exclusively on the day of the signing, and they’ll be limited to two copies per customer.

If you can make it, it’s obviously a rare chance to get the book signed by both creators, but if not… well like me, you’ll have to wait until the end of May.

It’s Not Easy Coming Up With Ideas, You Know

Yeah, we’ve got this new rom-com coming out.

We’re not expecting it to break any records or anything – after all, audiences have never seemed to be as keen on Matthew McConaughey as the studios are – but I thought it wouldn’t hurt to aim high. Why not, you know?

So I thought that, for the poster design, I’d rip off one of the most successful romantic comedies of all time. I reckon some of the magic should rub off, but nobody’ll guess why, and I’ll get all the glory.

Unless someone with nothing better to do with their time notices it, of course, but hey, what can you do?

I Arrive Late For The Party Once Again, But Here’s Your Ticket To The Screening Room

I recently watched the entire run of Studio 60 On The Sunset Strip, the short-lived comedy-drama from Aaron ‘West Wing‘ Sorkin.

It got very mixed reviews and limited ratings, and kind of limped to the end of its first and only season, and wasn’t renewed. In comparison with the not-entirely-dissimilar 30 Rock, it’s a lot more worthy and less funny, but I enjoyed it; there are signs of changes of direction and tone as the end drew nigh, presumably as they tried to find new ways to draw viewers in.

In my (frankly pretty worthless) opinion, there were two fundamental problems with the show:

1. It kind of assumes that the audience has an enormous familiarity with, and affection for, Saturday Night Live. As a limey, my exposure to it has been very limited, but I’m aware of it and some of its history. So it didn’t trouble me, but I can imagine that audiences of pretty much any nation who are unaware, or actively unfond of, SNL might well be put off.

2. Whilst The West Wing deals with heavy-duty stuff like kidnappings and war and terrorism, Studio 60 is rather hobbled from the start by the fact that, for all the on-screen depiction of concern and hard work, it is ultimately ‘only about a TV show’. I’m not denigrating TV as a medium, but I think the show has an uphill struggle to make some of the plotlines seem as important to the viewer as they appear to be to the characters. This is slightly echoed by the way a lot of the in-show comedy bits aren’t gutbustingly funny, despite the way the in-studio audience may be reacting. There’s a slight mismatch between the way you’re told to react to an item, and the way you may actually react.

For all this, though, I think there was a lot to like about Studio 60, and Matthew Perry did a pretty good job of making me forget he’d been in that other TV programme.

Anyway, I mentioned a Screening Room up above, and by that I mean a new-ish feature on Amazon (UK version) whereby you can watch entire TV shows – including, yes, the pilot episode of Studio 60 On The Sunset Strip – for free.

The Screening Room is located here. Keep your feet off the chairs, if you don’t mind. Night vision technology may be utilised to ensure compliance.

I Want You To Learn From My Mistakes. Lord Knows, I Seem Incapable Of Doing So.

Like Alan Partridge in the Linton Travel Tavern, or … um, thingy in Man In A Suitcase, my lovely wife and I spent the last week or so living out of a suitcase (well, a couple of them) in a hotel not far from our home.

In case you’re assuming that the accumulation of books and CDs and DVDs had reached the stage where it was easier for us to move out and leave the material possessions to take over the flat, fear not; this was a planned re-location while we had sturdy artisans in replacing the kitchen and bathroom (including tearing out the plumbing and re-plastering the ceilings), and we decided it was best to move elsewhere and keep out of their way.

Living within twenty minutes of home, but not actually at home, was a strange experience; kind of limbo-like, but pleasant enough (the hotel was nice, and had room service, so no complaints there), even if towards the end of it we were keen to get home.

Anyway, I learned various things from the experience, and I thought I’d share them with you. Hints ‘n’ tips, as it were.

If you’re staying away from home whilst renovation work’s being carried out, for pity’s sake, do not pop home to see how it’s going.

I can’t stress this enough. It’s always a bit weird to be away from home anyway, but if you then return to the location you’re feeling faintly disconnected from only to see it in a state of disrepair, it’s not going to cheer you up one bit.

The sight which confronted us on a halfway-through visit home was pretty horrifying – pipes sticking out of walls at scary angles, light fittings hanging from the ceiling like slabs of animal carcase in one of those refrigerated lorries, and so much dust it looked as if it had been snowing indoors. A scene of devastation, in short, not seen in London’s East End since the Blitz*.

I think it was Thomas Wolfe who wrote that you can never go home. As regards popping in to see how the work’s going, make that you shouldn’t go home.

Unaccustomed to hard graft? That makes two of us. Keep at least one eye on your surroundings.

For example, if you’re lifting a box of floor tiles onto a trolley, make sure that you don’t glance away long enough for the trolley to get bored of being an inanimate object, and suddenly go all animated.

In my experience, the trolley will roll towards you whilst your attention is elsewhere, hit the back of your leg, and cause you to fall onto the trolley. This fall will be assisted by the weight of the box of tiles, which you’ll need to keep clutched to you like a newborn for fear of them breaking. I’ve found that while all this is going on, your partner will be unable to do anything but watch… with eyes wide and barely-suppressed amusement. Their laughter begins when you land on your arse on the trolley. Hmph.

On being White Van Man, howsoever fleetingly

Driving a hired van to take unwanted furniture and rubble to the local tip – I’m sorry, I mean Re-use and Re-Cycle Centre – is, for the vast majority of men, a very exciting event.

Perched above the normal-sized vehicles, your lofty throne makes you look and feel like King of the dual carriageway. Enjoy it, but don’t get too blase about your new-found status, for pride comes before a fall (and you can easily fall out if you’re not careful when dismounting). Following what happened to me the other day, I make two recommendations about how to conduct yourself, so you don’t fall from grace even remotely as swiftly as I did.

Recommendation 1: When driving a transit van, don’t look in the rear view mirror. There isn’t one. Use the side mirrors instead. Mind you, when you’re reversing, pedestrians will probably take the opportunity to walk across the back of the van – that is, the blind spot between the mirrors’ visible spots. So, I recommend you stick the hazard lights on, and whenever you’re about to reverse, give it an extra 15 seconds’ wait to make sure it really is clear. I didn’t hit anyone, but from the way people were keen to leap behind the van every time I even thought about reversing, I can only assume there was a puddle behind my vehicle and pedestrians were intent on using their entire bodies to impersonate Sir Walter Raleigh’s cloak. So, look, and then wait. And then think about moving.

Recommendation 2: When you’re driving a rented van, take a moment to ascertain the height of the van before you go anywhere. This moment of research may seem like a waste of time, but it will in fact help you to avoid a close – some might even say intimate – encounter with a Maximum Headroom sign as you drive into a supermarket car park. If, however, you do what I did, and ask “hmm, are we going to get under that bar, do you think?” before hearing a very loud THUNK overhead, make sure you’ve paid for the full insurance cover on the van so you don’t have to pay the excess. God bless you, Mastercover Plus.

… and there endeth the lessons. Well, the lessons that can be learned from my recent experiences. On the basis of my past performance in relation to lessons – both those within the classroom and elsewhere – it’s debatable whether I’ll actually learn anything, but if nothing else, I like to think that this post shows that I’m at least aware of my mistakes.

All the better, of course, to repeat them, with added stupidity.

*There is, I appreciate, the possibility that this is overstating it a bit. But as my sister once said, “Oh, everyone always exaggerates everything”.

The Last Time I Saw Someone All Over BBC Continuing Drama Like This, It Was Slater Week

In amongst a crowd of rowdy hooligans in a pub the other day (yes, they were writers), I met Paul Campbell. Paul seemed a friendly chap, and he’s also rather prolific and successful on the writing front.

How successful, you ask? Well, tonight on BBC1, he has not one, but two programmes being shown with his name in the Written By credit – and what’s more, they’re straight after each other, making for a full 90 minutes of prime-time schedule that’s sprung from his words.

Crikey.

If we’re going to split hairs, though, there will be one of those questionable 90-second ‘news updates’ between the two programmes, but I wouldn’t be entirely surprised if Paul finds some way to work himself into the events of the day, as he was muttering darkly about streaking across Parliament Square to ensure the news coverage.

Oh, all right, I made that last bit up; but if you are watching TV in Blighty tonight, why not have a look at one of (or even both of) the programmes Paul’s written? He wrote tonight’s EastEnders (7.30pm) and Holby City (8pm).

As I say, he’s a thoroughly friendly chap, and it’s always good to see the decent sorts doing well, innit?

As Volume Often Trumps Reason, Emotion Can Overwhelm Diction

When I was a long-haired lout of a student (as opposed to my current long-haired fop status), the Cocteau Twins were very popular amongst the NUS/NME fraternity.

I don’t know if you remember the group, but they were – like the Thompson Twins – comprised of more than two members, and were not twins. Anyway, one of the things which made them rather distinctive was the way that singer Elizabeth Frazer would sings lyrics in a fashion which made them almost impossible to understand; like a radio tuning in and out, there were flashes of clarity, when you could make out several words in a line (sometimes even consecutive words), but a lot of the time it was as if she was speaking in tongues.

It was, nonetheless, quite effective, and it was certainly pretty popular. I was reminded of this style of singing the other day when I heard, on the radio, the Leona Lewis cover version of the Snow Patrol song Run, where the vocal performance seems to waver in and out of coherence.

For instance, I know that the chorus goes pretty much like this:

Light up, light up
As if you have a choice
Even if you cannot hear my voice
I’ll be right beside you dear

But when Leona sings it, and blurs one word into another and then on into another, I hear something more like:

Liar, Liar
Andy you have my toys
Evey nifoo cannar ear mavoy
Arby rarby sardoo dear

…It’s probably just my contrary and snarky streak that hears it that way, of course, but on the other hand it could mean that we should dismiss 80s-style synth-pop as the next big thing, and look to glossolalia as the way of the future.

If so, it’s probably for the best that Smash Hits is no longer a going concern, as it would have been a nightmare trying to reproduce songwords, especially in these days of Spellcheck.

Speaking of things religious and music-related, is it just me, or does the genuine group The Priests look alarmingly like a storyline from Father Ted?

And I Didn’t Even Refer To The Big Brother Robot Incident… Oh.

Between the endless lingering shots of Danielle Bux on ITV’s Hell’s Kitchen the other night, I was struck by how, in a few year’s time, Bruce Grobelaar will look alarmingly like George Galloway MP.

Although, now I think about it, I may well mean that the other way round.

Page 38 of 121

Powered by WordPress & Theme by Anders Norén