Category: Pictures Page 9 of 46

[Insert Predictable Piscine Pun Title Here]

Now available to download for free, the final episode (of the current run, anyway) of comedian Richard Herring’s podcast series As It Occurs To Me.

In case you’re not familiar with it, or Mr Herring generally, it’s quite an interesting set up – or, if you prefer, ‘business model’ for a show. It’s recorded live in London before an audience who’ve paid the nominalish amount of £10, and then released, without editing, the next day to download for free.

Herring’s been on TV and radio sporadically over the years, but he’s kept working steadily in a variety of areas since his TV shows have failed to be recommissioned, and in the last couple of years he’s started doing podcasts for free – firstly with writer Andrew Collins and then the above-linked AIOTM (as he insists on calling it) – and he seems to be doing all right as a result; his stand-up tours sell well, and I think he was on Never Mind The Buzzcocks on BBC2 the other week. Which probably helps pay the bills, while he carries on doing a job he enjoys.

Anyway, whilst the final show – by Herring’s own admission – contains so many in-jokes as to be almost meaningless to a first-time listener, I’d recommend the series as a whole; it is, as I say, free, and whilst the unedited nature of it means it’s pretty rough round the edges a lot of the time, there are a lot of jokes in the show, as well as (warning) a lot of imaginative profanity.

Mrs Soanes and I were at the live recording on Monday night, and I’d say that, despite (perhaps even because of?) its shameless self-indulgence, it was probably the best of the run, as it contained so many payoffs and callbacks to previous episodes, all tied together in quite a clever way. And some turns of phrase which were both shockingly rude and impressively colourful.

Not one for granny, then, but I’d say it’s certainly worth the muscle involved in a bit of clicking and downloading.

Mind Your Language

You have to be careful if you’re marketing a product overseas; we’ve all seen articles about funny-named foodstuffs from overseas which have names like Krappi, Bumm and Peroneum.

Take, for example, this current advert for a fine fragrance:

Leaving the whole Catwoman similarities thing, I’d say the name’s a bit of a misfire for international use; in the USA and many other countries, the Name Ricci Ricci will make many people think of the Harvey comics character portrayed on the big screen by Macauley Culkin…


…which at least has the cachet of wealth, if not necessarily glamour, but in the UK people are probably more likely to hear “Ricci Ricci” and think of –


– Rik Mayall as Richard Richard from Bottom.

And whilst I’m no marketing guru, I’d guess that kind of association is probably not what sells fancy perfume.

Cover Design Aside, I’m Currently Reading – And Enjoying – The First Of These Three Books

A smudge under 18 months ago, I suggested that book designers were being rather unimaginative by putting ‘a shadowy figure in a corridor’ on the covers of thrillers.

I have to report that the trend doesn’t seem to be on the wane…

Or, In My Case, The Whinging Defective

In the classic TV series The Singing Detective, written by Dennis Potter, there’s a scene where the main character, Philip Marlow, is talking with his psychiatrist.

By trade, Marlow is a writer of detective novels which are more hard- than soft-boiled, but his doctor notes that there’s a section about sex in one of his novels which seems out of place; when pressed, Marlow is forced to admit – even if only to himself – that it reflects his own deeper feelings about the subject.

It’s not any kind of insight, I know, that people who make things often reveal a lot about themselves in their work – whether intentionally or otherwise – and so I offer an excerpt from my own writing, so you can play ‘spot the author lurking within the text’.

It’s from a novel called Coming Back To Haunt You (which is unpublished, because it’s unfinished – I was forced to abandon it when I realised it bore a shocking similarity to a film which I genuinely hadn’t seen until I was about a third of the way into writing it).

The novel is about Nick Peters, a seemingly normal chap who suddenly finds himself the target of what looks like a revenge campaign, though he has no idea who’s behind it or why. In the following excerpt, Nick is looking online for any kind of hint as to why he’s now being hounded, and he starts to look for information about people from his past.

He went to friendsreunited, and browsed around it for a while, looking up details of the class he’d been in when he did his GCSEs, and then the class in the sixth form, for A-Levels. There were a few jolts at seeing names he’d long forgotten, and at uploaded photos showing fashions and haircuts which were best forgotten, but there was no-one there who he’d crossed in any way.

He’d never bullied anyone, or been bullied, never gone head-to-head with anyone in sports clubs or chess or debating or public speaking, and never denied anyone a prize or an award through a sudden show of academic ability; he’d never broken anyone’s heart – or even dented or vaguely bent one, as far as he knew – dished out a black eye or a brutal insult, never scratched a pencil case or broken a pair of glasses; he’d never stolen from anyone, never cheated in an exam or forged a signature on a permission slip or school report; he’d never gone to school drunk or high, even on the last day of his final term when all the A-levels were done and his college place almost certain.

[…] he trawled through the screens of names from the past, photos of buildings which he thought he’d forgotten but still occasionally dreamt of, and read reminiscences about teachers and end-of-year plays and school trips which made it sound as if these funny happenings had been the everyday and usual, and attending lessons or hurrying to hand in coursework on time or copying homework at lunchtime or revising or turning over an exam paper or hearing the words “Stop writing now, please” – all these things had been the exception, the distraction from the whole process of being a teenager, and he had the horrible feeling inside that he’d wasted the best years of his life, that all the best parties with the prettiest most fanciable girls had been taking place somewhere else, and that he wasn’t invited, never had been invited, and certainly hadn’t been missed.

Further comment seems unnecessary, really; I feel oddly exposed by that chunk of text.

Thinking about it, it may be for the best that it didn’t make it into print (though I’d imagine an editor would probably have asked me if this section couldn’t have been pruned, if not removed entirely).

Anyway: hmm.

So, Like One Other, Then

An advert I saw for Wound magazine (no, I don’t know if it’s pronounced to rhyme with bound or Zounds):

But what’s that tagline? ‘Like no other’? Er…

Ah well.

I Could Hardly Believe My Rodent Pies

Spotted in a shop in Holborn, London.

The London version of ratatouille, I suppose.

Are The Boyband Auditions Being Held In The Woods Or Something?

Maybe it’s just me, but the werewolves in New Moon really don’t look as if they’re intended to appeal to teenage girls at all.

Add a couple of years to that audience, and multiply the testosterone level by about 50, and I think we might be getting closer to the actual target demographic.

I am, of course, just jealous; the nearest I get to having a six-pack is devouring a multipack of KitKat Chunky Caramel bars. And I have the circumference to show for it.

In America, Archie Comics Are Seen as Child-Friendly. Tch.

Forget the language used, what’s actually most offensive about this cover is Archie’s ability to walk on water.

You wouldn’t get that kind of talk from that nice Carpenter chap with the Mexican name. Shocking.

At Least It Was Tastefully Lit

Michael’s bid to become a professional photographer floundered; not only did he insist on framing the shot like a scene from the 1960s Batman TV show, but he pointed the camera towards himself instead of the subject.

Fascinating fact: Despite media reports, Michael Buble is not a blood relation of Bubble from Big Brother 2001. They are in fact related by marriage.

Suspended: Disbelief And Animation

So, National Novel Writing Month ended at midnight last night, and if you’ve been taking part, I hope you made it to 50,000 words without going completely bonkers.

On the other hand, if you’re trying to write a novel to a deadline but have two months in which to complete it, there’s a very interesting post which I’d point you towards. It’s called How to write a novel in two months, and is by a chap called Jeff Vandermeer (who, I see, has written Booklife, which I’ve seen positively reviewed elsewhere).

I think it’s a solid article, with some good advice, and the one thing which I thought was particularly of note was point (7), wherein he says:

“Don’t animate what doesn’t need to be animated. This might just apply to any novel, but it’s especially true when you’re under the gun deadline-wise. There’s a lodge in my novel and separate rooms for all of the guests, along with one common room. There’re maybe two scenes in the separate rooms and lots in the common room. So I spent my time detailing the common room and really didn’t describe the other parts of the lodge at all. There was really no point.”

I think this is very astute – I’ve certainly known novels I’ve been generally enjoying but have struggled to complete because every time a character walks into a room we get a half-page description of the furniture or whatever; in fact, now I think about it, I gave up on a thriller I was reading some years ago because a row of cars parked outside a building was described in terms of the makes – three Renaults, a Ford, etc – and it not only slowed things down but, as I’m a non-petrolhead, it didn’t give me enough information to be able to populate the scene in my mind, and in fact there was probably no need to do so in that level of detail.

What I like about Jeff V’s use of the word ‘animate’, though, is that it suggests a writer can choose just to leave some things as background, like the flats in a stage play, whilst others should be active in some way. In the book I’m currently working on, I have a military base, and there are certain places within it which are plot-related – the medical rooms, the sleeping quarters, and the like – but others are only really relevant insofar as they’re potential places for the killer to hide, but they’re not of great interest (and thus probably not worthy of going into detail about) in their own right. So I’ll try to avoid ‘animating’ these locations more than is at all necessary.

Anyway, that’s what I took away from reading the article – hope you find something similarly useful in it.

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