Category: Music Page 3 of 6

Rather Like That Irish Singer Shane MacGowan (Born 1957 In Kent)

For reasons I really don’t need to get into, I’m currently working on a 60-minute biopic of singer Chris de Burgh.

I don’t know about you, but I kind of thought I knew everything there was to know about him; the early years, The Lady In Red, the affair with the nanny, the angry letter to the Irish Times, and all that, but I’m finding that the more I read about him, the more of an enigma the man turns out to be.

Take, for example, the opening line of the Wikipedia page for Chris:

“Chris de Burgh (born Christopher John Davison on 15 October 1948) is an Argentinian-born Irish singer-songwriter…”

I’m starting to think I may need more than 60 minutes. I tell you, the man’s a mystery… wrapped in a thriller.

Curled up inside a romance.

Simon, You Can Have This Format Idea For A Fiver. Oh, All Right, A Quid.

I see that Saturday’s edition of singing talent show The X-Factor featured a guest appearance by Robbie Williams. And previous episodes have featured appearances by Mariah Carey and Beyonce, with the inevitable ratings-grabbing results.

And a notion occurred to me. One which, I think, might have what the folks in the idea biz call ‘legs’.

Here it is: instead of going through the hassle of hosting regional singing heats, hiring limos and hotel rooms for judges, hiring venues and risking getting into legal trouble by utilising telephone voting for the final rounds, and then the fuss of recording the first album by the winner and promoting it… instead of all that, why not just get established singers to come onto a TV show?

You could make sure that the format works by only selecting popular singers (or even groups), and maybe link their appearance on the show to their relative popularity in some way; maybe using some quantifiable sales thing like how many CDs or downloads they’d sold that week? You could even structure the show with a crescendo aspect, so the most popular singer or band that week plays at the end – saving the biggest star until last, as it were.

Obviously, there are a couple of less positive aspects to this – there’d be less need to use Craig Armstrong’s Film Works 1995-2005 CD for all of the linky bits*, and you’d probably have to make the show a bit shorter (maybe 30 minutes instead of 90 minutes) – but I reckon that you could probably get a pretty good audience with a show like this.

Offhand, I’m not wedded to any ideas of what we’d call such a show, but you want it to be snappy and appealing that sums it up in a few words – maybe something like Hottest Of The Hits? I’m not sure, I’m just spitballing here.

Anyway, if you have an ‘in’ with any TV production people, feel free to float this idea, and see what they think. I know it sounds simple, but often those ideas have the broadest appeal.

*This is a downside as I think Mr Armstrong is a very talented composer, and I want him to be receive the royalties for his work being used. Because week after week after week after week, his music is used.

From Their Sublime To My Ridiculous

Something I didn’t mention in my write-up about the classical music concert on Friday night was that, as the performance of Strauss’s Four Last Songs came to an end, I became completely convinced that, were I to nick the conductor’s sheet music as an avid fan might steal a band’s set list, it would look something like this:


I know: I’m an idiot. I don’t deserve culture, do I?

In Which I Demonstrate, Once Again, My Pretentious Ways

Last night I went with my Dad to see a performance of some classical music at the Barbican here in London.

It was a good mixed bill – a bit of Strauss for me, a bit of Mahler for Dad, and some stuff by a chap called Martinu which neither of us were familiar with. And as you can see from the picture here, we got pretty good seats for our £8.

Anyway, it was a lot of fun – particularly the final bit of Strauss, which often sounds like the soundtrack to a cartoon – and lo and behold, the BBC have made it available to listen to via the iPlayer, and you can do so here.

Another very self-indulgent post from me, I fear, but on the other hand this’ll provide evidence to both my wife and my mother that Dad and I really were at the concert as promised, and not at a lap-dancing club.

Though Dad did joke about going on to one afterwards. At least, I think he was joking…

Unlikely Legal Entities

I’d like to have been at Companies House the day the incorporation paperwork for these arrived.

It Seems That Those Who Do Not Learn About Musical History Are Condemned To Write About It

As you may have seen in the press- usually illustrated by pictures of the new line-up in tight-fitting pseudo-undergarment outfits – the last remaining original member of the popular beat trio the ‘Sugababes’ (whose name always looks to me like a pretty direct attempt to copy that of the Spice Girls), has *ahem* departed the group.

As a result, there have been a number of journalists and other folks commenting about whether or not this means the Sugababes as a band still exists; Trigger’s broom and Theseus’s Ship have been invoked, on the basis that since none of the original band remains, surely they cannot be called the Sugababes?

Oh, the philosophical conundrum, how it makes our heads spin (accompanied by pictures of three women in limited clothing)… but there is a precedent for this, and I can’t help but wondering if people know about it, and are ignoring it in favour of filling column inches with photos of the new line-up filming their “raunchy* new video”, or if they are unaware of it, despite it spanning over three decades?

Anyway, no, I’m not going to refer to the tangled history of Bucks Fizz, I’m talking about a much longer-lived band than that, whose members come and go with the frequency of Big Brother contestants.

Here on the blog, for one night only (with this line-up, if history is anything to go by), I give you… Menudo.

*A word which tends to be used in print more than it is said aloud … unless perhaps someone’s mum is referring to Tom Jones or Chico Slimani.

Rabbit At Rest

A moment’s reverent hush, if you will, for the news that venerable music duo Chas and Dave have split up .

(Pause)

Thank you. As you were.

My Butch Rapidity And The Dad-Dance I Did

Being the aforethreatened post about the seventh-day activities of one John Soanes; a post whose position in this world is hampered by the contrivance of its title, if not its contents

So, I promised yesterday to tell you about my Sunday of contrasts; the butch morning and the camp evening. And so I shall.

The rugged and manly activity in the morning, lest you should think I’ve taken up yomping or arm-wrestling polar bears or something new and exciting, was my perennial favourite of running. Specifically, the Great Capital Run in Regent’s Park in London. Yes, when much of the capital was groggily waking and wondering why there was a kebab on the pillow next to its face, I was tying on my running shoes and heading off to run.

Not that I was going too far, you understand – it was 5km (which I think equates to 3.3 miles), but I haven’t done a formalised bit of running in a while (possibly not even this calendar year). So I was both looking forward to it, as a test of my running ability, and dreading it in case I ran out of breath, fell to the ground, and soiled myself a couple of metres past the start line.

Still, I made my way to Regent’s Park (assisted, as ever, by London Underground, who had cleverly scheduled engineering works and station closures on eight of London’s eleven tube lines – they’d clearly decided that I’d run better if I’d faced a challenge in getting from A to B before getting to the run, and increased my adrenaline levels).

The race itself began at 10am, but at 9.35am there was a ‘mass warm-up’. This was a good idea as you should warm up anyway, but especially as it was moderately cold yesterday, and there’s nothing to be gained from running with unstretched or cold muscles. And it was a good warm-up session, with stretches of all available muscles, though at one stage I looked at the thousands of us, all putting our arms up in the air at the bidding of one man on a podium, moving in unison, and I couldn’t help but think it looked like a rather scary political rally. Only with tighter-fitting shorts.

Nuremberg aerobics completed, there were some proper – oh, sorry, I mean elite – athletes running as well, and they set off before the rest of us, at a pace that genuinely caused eyes to widen amongst the common herd. And just like the Generation Game, once the display of world-level ability was over, it was time for the less capable to have a go. They gradually moved us forward to the line, and then we were off.

Regent’s Park is a pretty good place to run – it’s generally flat, and the concreted paths we were running on only occasionally turned gravelly, and I have to say that it was well-marshalled; there was never any doubt about where you should be going next, even if – as was the case just before the 4km marker – it was slightly uphill.

I kept up what I felt was a pretty steady pace, and despite the handicap of having to run as part of a cluster of people (something you can’t really incorporate into running practice unless you’re really good at arranging flashmobs), I felt I should be able to make it in under 40 minutes, which was my fairly conservative estimate based on how practice runs had gone. It turned out that I was being overly harsh on myself, though, as I came in at just under 31mins (30m 53s, according to the official timing), which I was pretty pleased about.

The combination of the warm-up and the exercise left me feeling physically fairly enlivened, and awash with testosterone, which of course was important since I was just about to go off to an event which, I sincerely expected, was going to be more camp than Alan Carr performing a tribute to Larry Grayson.

Because, constant reader, I had agreed to attend the BBC Radio 2 event in Hyde Park called Thank You For The Music – a tribute to the music of Abba.

Now, there’s nothing inherently camp about Abba – granted, the intervening years have given their clothes a certain kitsch appeal, but at the time they were pretty much the fashion – and the music’s perfectly fine, though I would make an argument that only a dozen of their songs are ones which, as the cliche now has it, we all know the words to, and not all of them, as some people seem keen to maintain. But I’m not knocking the work, and when Mrs Wife asked if I wanted to come along, I agreed pretty rapidly.

Once the tickets had been bought, though, I suddenly realised that the event had a pretty strong chance of turning into a bit of a camp bash: Lulu was on the bill, then Kylie Minogue was announced as performing, I started to hear stories about ‘lots of people going dressed up’, and I had the sudden feeling that as a heterosexual male, I was going to feel slightly out of place. I foresaw a sea of peacock feathers and spandex, neither of which I can pull off, not with my colouring. Yes, yes, you’re right: I’m just jealous.

Anyway, when we got to Hyde Park, along with some 30,000 other people, I was reassured to see that it wasn’t the case. There were a few people in late 1970s style gear, but not many feathers. In fact, the nearest that I got to a feather boa all night was the white one draped around the neck of the very drunk man who danced – well, all right, swayed – around us for most of the evening, looking (to paraphrase Fight Club) like the corpse of David Tennant, if you gave it too much drink and made it shamble around the party being annoying to everybody.

But he was in the minority. It was a friendly crowd, and the music was pretty decent – The Feeling were clearly having fun, and some of the people I hadn’t heard of were very solid too, though I struggled to hear the vocals by Lulu and, later, Chaka Khan; was there a sound problem, or was someone on the sounddesk dialling them down for other reasons, I wonder? Hmm.

Benny and Bjorn took to the stage at the end, and thanked the crowd, and seemed genuinely rather surprised that their music was eliciting such a strong reaction so many years after it’d been written, which I thought was rather sweet; fireworks went off overhead, and we slowly made our way out of the park, once more to negotiate the hardly-running tube system and go home.

Not bad for the so-called day of rest, then; like New York, London is a city that never sleeps, but of course that means that it can be rather short-tempered, and doesn’t always look its best. Still, beats being bored, I think you’d agree.

That’s enough about my weekend, though; what have you been up to ?

EDITED TO ADD: If you want to see me gasping my way round the Great Capital 5K, click here and enter the race number 727.

“I’m At Your Home Right Now… Nicking Stuff From Your Design Portfolio”

Todays’s advice to would-be swipers: don’t nick both the imagery and the words from someone else’s work, or overgrown adolescents on the internet will poke fun at you.

At Least One Of You Will Be Grateful I Eat So Much Chocolate

There’s a promotion running on a variety of confectionery products at the moment, whereby you can obtain a free mp3 download of a music track from the Universal Music label if you enter a code (from the inside of the wrapper).

The thing is, it’s limited to a total of 5 downloads per person, and as a glutton I’ve already exceeded my allowance (both of calories and free downloads), so I have the following code which any one of you good people can have (first come first served).

The code is HT6C 43MJ 4XCP, and you can redeem it here.

If you use the code for something rubbish, though, I’ll be like a parent: not angry, just disappointed.

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