Category: BBC Page 4 of 5

Do You Live In Plymouth? You Do? Get Out!

… by which, of course, I mean that you can go out tonight to a roadshow event hosted by the BBC Writersroom. It’s rather short notice, I know – which is why I’ve taken that inappropriate and peremptory tone, to attract your attention – but you may be able to make it.

It is, in fact, one of a number of events which the nice folks at the Writersroom are holding over the next few months – here’s a list:

Tuesday 2 June
Plymouth Theatre Royal

Wednesday 17 June
Sheffield Lyceum Theatre

Wednesday 1 July
Liverpool Everyman Theatre (part of Festival)

Friday 3 July
Nottingham Broadway Cinema (part of festival)

As is usual with these events, you need to make sure that you e-mail in advance to get on the list, but they’re all free, and in my experience of the bashes they’ve held here in London, well worth going along if you can.

Full details – including more info on times and the addresses of the venues – can be found here.

Writing Opportunity: CBBC

An interesting call for scripts over on the BBC Writersroom website; they’re after “the next generation of CBBC writers with fresh perspectives, original voices, and the ability to create unforgettable characters”, and they’re asking for 30-minute original TV scripts.

Once you’ve filled out the online application form, all submissions should be sent in hard copy, to CBBC New Writers, BBC writersroom: 1st Floor, Grafton House, 379 Euston Road, London NW1 3AU by 5pm on Wednesday 1 July 2009. There’ll then be a masterclass for 15-20 shortlisted writers in July, and then eight of those writers will attend a residential week in late September, and then the finalists out of the eight will receive mentoring and £300.

Full details are here, there’s a Frequently Asked Questions page here, and if you want more information on CBBC generally, cast your eyes and mouse here.

My immediate feeling about it? The deadline’s a good six weeks or so away, which seems feasible time-wise, and overall it sounds worth having a go. In all honesty, I’ve never really thought about writing for the 6-12 age range, but on the other hand I’ve not discounted it either, and I can readily imagine that writing for a younger audience is often more of a challenge than, say, writing for one’s peers.

So I’ll definitely have a think about it, and see if I’ve got any stories, or even story ideas or loose structural notions, which might fit the bill.

Anyone else likely to enter this?

Edited: to add in details about the online application form. Whereas I am often forgetful, Piers has a solid memory. Thanks, Mr B!

BBC Writersroom At Hightide Festival In Suffolk

It’s pretty short notice (mainly because I’ve only just spotted it’s happening), but I thought I’d just mention that the BBC Writersroom are holding a session at the Hightide Festival in Suffolk.

The session is at 3.30pm on Saturday 9 May – full details are here.

In this sort of post, this is usually the point where I’d say that you have to e-mail to get your name added to the mailing list, but it seems to be impossible to book online for the event at the moment. If you want to go, it might be worth giving them a call, or perhaps seeing if the Reserve tickets>> button starts working again at some point in the future.

Of course, you could turn up and hope for the best, though I’d only really recommend that if you live close by or are attending Hightide anyway.

The Last Time I Saw Someone All Over BBC Continuing Drama Like This, It Was Slater Week

In amongst a crowd of rowdy hooligans in a pub the other day (yes, they were writers), I met Paul Campbell. Paul seemed a friendly chap, and he’s also rather prolific and successful on the writing front.

How successful, you ask? Well, tonight on BBC1, he has not one, but two programmes being shown with his name in the Written By credit – and what’s more, they’re straight after each other, making for a full 90 minutes of prime-time schedule that’s sprung from his words.

Crikey.

If we’re going to split hairs, though, there will be one of those questionable 90-second ‘news updates’ between the two programmes, but I wouldn’t be entirely surprised if Paul finds some way to work himself into the events of the day, as he was muttering darkly about streaking across Parliament Square to ensure the news coverage.

Oh, all right, I made that last bit up; but if you are watching TV in Blighty tonight, why not have a look at one of (or even both of) the programmes Paul’s written? He wrote tonight’s EastEnders (7.30pm) and Holby City (8pm).

As I say, he’s a thoroughly friendly chap, and it’s always good to see the decent sorts doing well, innit?

Appropriate Really, Given The High Regard In Which People Hold The Wire

As well as the scripts for three episodes, The Wire Bible is now available online.

(I’m as yet un-evangelical about the programme, having only seen a handful of episodes; by the way, BBC, if you’re going to put a show on every night, how about putting it on at the same time so people who don’t have Sky+ [people who might have, for example, got a freeview box in line with the BBC’s suggestions that people get ready for the digital switchover] can watch it? Just a thought.)

BBC Writersroom : Armando Iannucci Q&A

This seems to be tucked away in one of the back pockets of the BBC Writersroom site, so it may have escaped your notice…

On Wednesday 15 April 2009 from 5:00pm to 6:30pm at the Soho Theatre in London, Armando Iannucci will be talking about In The Loop, the new film semi-spin-off from The Thick Of It. No doubt, though, he’ll be asked (and hopefully answering) questions about other work from his resume.

It’s free to attend, though you need to get your name on the list, which you can do by e-mailing writersroom.events@bbc.co.uk, with the subject line “Armando Iannucci Q&A.”

That’s about all you need to know, but if you want to be sure I’m not just making it all up (I might be hopped up on a dangerous combo of tea and chocolate), the official page about it is here.

I’m planning on attending, howsabout you?

BBC Writersroom Hit The Road Again

Those free-wheelin’ road-burnin’ script-readin’ folks at the BBC Writersroom are hitting the highway again, and have announced new roadshow dates in the following locations:

– Bristol on Thursday 26 March 2009 from 5:30pm – 7:00pm
– Leicester on Thursday 7 May 2009 from 5:30pm – 7:00pm

As is usual for these things, you need to get your name on the guest list, and you can do that by e-mailing writersroom.events@bbc.co.uk with the subject line ‘[Location] Roadshow’.

It is, as ever, free to attend, and you can even save postage money by handing them your latest work of genius (as long as it’s a script, that is – they don’t assess sculptures or pieces of abstract dance, as far as I know).

Full and frankly naked details can be found here. Though I might have lied about the naked.

More roadshows to come in Birmingham, Sheffield and Liverpool, and you should watch the above, not-at-all naked link, for more details.

That is all. As you were. Or are. Or indeed will be.

Who Gives A Damn About Comic Relief

The absence of a question mark in this post will, hopefully, provide something of a clue to my feelings on this subject; I like Comic Relief a great deal, and I think it’s also very wise that 50% of the money raised goes to UK-based charities, and the other 50% to overseas work, because it rather defuses the whole “charity begins at home” argument which some people use instead of saying “I don’t want to give to charity”.

Granted, a lot of the comedy in the televised sections of Comic Relief doesn’t really float my boat, and I suffer a kind of emotional whiplash when they go from a Blackadder sketch to a film about children dying of some preventable illness, but that’s more my psychology than anything else, and it’s all aimed at making people’s lives better, for crying out loud. You can’t question that motivation without seeming curmudgeonly (even if it is regrettable that there’s a need for charities at all).

So, I support Comic Relief (in both the abstract and practical sense), and was suitably impressed with the group of celebrities who climbed Mount Kilimanjaro to raise money for Comic Relief (you can find more details here), as I did the same thing a few years ago, and it’s hard work, so I recommend you sling them a bit of money by way of a well-done.

However, as well as the red noses and novelty singles which you can buy to funnel your money to Comic Relief, something which appears to have received slightly less publicity is the fact that they’ve made various Comic Relief Specials available to buy via iTunes. There’s a Vicar of Dibley one, a Mr Bean one, and a couple of others, but to my mind, most notable is the fact that you can, for the very reasonable sum of £1.49, download a copy of Doctor Who And The Curse Of Fatal Death.

Just in case you’re not familiar with it, this 23-minute special was the first televised DW story written by Steven Moffatt, and features a number of people you might have heard of (surname hints: Atkinson, Sawalha, Pryce, Grant, Broadbent, Lumley). Is it part of the Who canon? I dunno, but it’s not been released on DVD, and so here’s your chance to have a look at it, have a laugh, and some money to go to a worthwhile cause. If I may put it so crudely, cop this button-style-link (tsk, after that lack of manners, I hope it works):

The Best of Comic Relief - The Best of Comic Relief, Vol. 1 - Doctor Who Does Comic Relief

If you’ve read this far, I hope you’ll see the true meaning of the title of this post; if the Doctor, a fictional character, can support Comic Relief, those of us in this reality can probably make our own contribution, wouldn’t you say?

And All Of A Sudden, I Post Something About Writing, Causing Many A Startled Double-Take

As I haven’t written anything about writing for a while, that’s what I’m doing, right here right now.

I like to think I’ve been fairly productive recently – I’ve submitted pieces to the following:

– The Quickreads Work Tales competition : not heard yet about this one, but I think an announcement is due around the end of March

– The Tate Modern TH.2058 competition : Didn’t get into the final six, but it was fun to write (you can see my short story here).

– Along with something like 700 other people, I sent some sketches in for the forthcoming BBC 7 on 7 radio show. I didn’t make in into the group who were invited to a workshop on Monday (9 March), but the notification I received said that they’d be getting back to me about submitting more stuff when they’re gearing up for the actual series; I gather that they also said less hope-inspiring e-mails, so this was quite positive.

– And over the weekend, I sent in some vox pops to the BBC Talking And Not Talking radio show. I was quite pleased with some of the lines I sent, so I’m fingers-crossed about this one (not heard anything yet, but it’s only been about 48h since the deadline, after all).

I’ve also managed to rework the structure for my novel The Body Orchard, which I’m happier with now – it should make it more clear to the reader why there’s pre-existing bad blood between the detective and the villain of the piece.

And in my head, I’m working on a really-rather-low-budget UK-based horror film screenplay; I know how it starts, and how it ends, and a lot of the stuff in between, but I’m just working on some of the character stuff, and trying to decide whether I could merge it with another idea which I’ve had knocking around in my head for a while, though that might mean changing the tone a bit.

Oh, and I’ve having to entirely revamp my far-too-long-on-the-hard-drive radio play to send to the BBC Writersroom, as I’ve recently discovered that one of the main characters not only has the same name as someone who actually exists, but that real person is also a noted expert on a subject which is one of the themes of the play; anyway, I don’t think it’ll hurt for me to do another pass through the script generally.

Finally, I’m feeling the urge to send some material in to 2000AD again; I appear to have a semi-tradition of getting stuff published in the Galaxy’s Greatest Comic about once a decade (though I’m not fooling myself that the [in]frequency is due to my delicate creative sensitivities requiring some kind of planetary alignment), and I’ve had a couple of ideas recently which might well be Tooth-appropriate, as it were.

I’m sure I’ve forgotten something – or some things – but I just, y’know, wanted to make it clear that this blog isn’t the sole extent of my recent writing… oh, hang on, I forgot to mention my modernisation of Cyrano de Bergerac and my far-too-late-to-be-a-spec-script-but-I-wanna-write-it-anyway Frasier episode, didn’t I ? Ah well, I’ll just have to bring those up some other time.

Overall, it’s not so scarily productive as to make you all wonder just when I sleep, I know, but on the other hand, I’m feeling suitably fired up both about the ideas and the actual act of putting words on the screen (or page), and so I can feel things gearing up in a way that I find pretty satisfying (not quite as satisfying as typing ‘FADE TO BLACK’ or ‘THE END’, granted, but let’s face it, very few things are as good as that).

Actually, I Only Got Into The University Of Life Through Clearing, and Back Then It Was A Polytechnic

In about 1994, I visited a friend of mine who was studying at Cambridge University. Whilst I was there, we went to visit a friend of hers who was having a kind of open afternoon thing, and tea and toast were being served (pretty much the staple of student life, and all too often the culinary accompaniment to late-night discussions about the state of the world).

There were some people there I hadn’t met before, and one of them was involved with Cambridge’s Tibet Support Group. As I’ve probably mentioned before, I’m interested in this issue, and when she mentioned that the Dalai Lama had visited to speak to them a few months previously, I asked what he was like.

“Hmm,” she said, and paused. Would she say he had a certain presence, I wondered? That he radiated a kind of indefinable warmth and compassion? That, despite everything he and fellow Tibetans have suffered, he was all smiles and laughter?

“He’s quite fat,” she said eventually. Hmph, thought I. Not quite what I was expecting, but undeterred, I launched into a frankly gripping anecdote from the news a couple of years prior to that date, which involved a student travelling in Tibet and being received very favourably by the local people because he was wearing a T-shirt featuring Phil Silvers (above, star of Sgt Bilko), and the Tibetans mistook it for a representation of the Dalai Lama (also above). But as I regaled the crowd with my tale, I was being met with slightly blank looks, as opposed to the nods and semi-smiles I was expecting as I approached the punchline (well, explanation). And suddenly I realised why.

Oh God, it dawned on me. They don’t know who Phil Silvers is.

Now, I wish I could pretend that this (true) story is being presented by way of demonstrating that my intelligence was superior to everyone in the room that day, but that’s almost certainly not the case, and so it’s not why I’m writing about it; what I’ve always felt it does demonstrate, though, is that there are often fairly major differences between academic ability and intelligence or general knowledge.

It’s not a new insight by any means – I’m sure we’ve all met people who seem to have a veritable alphabetti spaghetti of initials after their name on their business card, but seem to lack the basic social skills to go into a restaurant and order, for example, a plate of spaghetti. As the old saying goes, there are many things you don’t get from ‘book-learnin’, and anyway, the entry requirements for the University of Life are slightly less stringent, especially if you’re an old boy (or girl) of the School of Hard Knocks.

Anyway, all this is a typically Soanesian build-up to a current news story, the fact that the recent winners of the BBC quiz show University Challenge have had their victory withdrawn. One of the winning Oxford Corpus Christi team turned out not to be a student by the time they reached the final, and this is one of the entry requirements (and there now appears to be a suggestion that previous winners may have broken this rule as well).

Now, there’s some justifiable debate about whether Granada, the programme’s makers, have made this rule harder to comply with as their shooting schedule no longer correlates with the academic year (meaning you could be a member of a college in the opening rounds but have left by the time the team got, say, to the semi-finals), but the fact that attention’s now being paid to the practicalities of the way the show is made should also mean that people should also spot the reason why Oxford’s team screwed up, and made a mistake which led to the loss of the title: they could have asked a member of the production team if they were still okay to field the team member in question.

But they didn’t ask this simple question – and if they had asked and been told no, all teams (as I understand it) have a reserve team member, and so that’s who should have filled the chair. Instead, they don’t appear to have asked, and this simple mistake – I’d say schoolboy error – led to their disqualification.

If you’re not sure if you’re allowed to do something, or that you might not be doing it correctly, the best way to find out is to ask someone who knows. If you don’t ask, you could get into trouble further down the line, and it might also look slightly arrogant, as if you don’t care if the rules apply to you. Social skills and general worldly ability can often be rather over-rated, but even if you want to become a hardcore academic, it’s probably a good idea to learn how to deal with people, in case you have to deal with them when you’re trying to, for example, get a publisher to turn your PhD thesis into a book. Knowing absolutely everything ever is of pretty limited use if you can’t get people to listen to you in the first place because you’re rude or otherwise socially lacking.

Incidentally, I’ve only recently become a regular viewer of University Challenge for the simple reason that it’s fun to shout out the answers at home, and it has – in comparison with many other TV quiz shows – a lot of questions; most of them seem keen to pad the proceedings out with bursts of music or lighting effects or pre-scripted insults or other weak links, but UC just has loads of questions, on a good spread of subjects (it’s not all questions about Juvenal, some of the topics are pretty juvenile).

It’s just unfortunate that, in relation to the issue of eligibility, not one member of this year’s Corpus Christi team was willing to ask a question.

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