Author: John Page 68 of 121

Isn’t There Some Saying About The Cobbler’s Children Going Barefoot? (Or Is That A Load Of Cobblers?)

It’s been a very busy week, what with the 9-5 job being hectic, and the run-up to the deadline for the BBC Sharps competition, but in a way, it’s kind of interesting to see just how far my brain can bend before it snaps.

I’m almost done with my Sharps entry now, with a final read-through and formatting sort-out tonight before it goes in the post tomorrow (along with Father’s Day stuff – consider this reminder a social service). I’ve rather enjoyed a lot of the work for the Sharps script, I have to say – I was slightly worried I might have left it a smidgin too late, and that I’d feel I was turning in something sub-par (which always allows for the line ‘ah, well, if I’m honest it wasn’t my best work’ in the face of rejection, though that’s a pretty limp consolation really), but I’ve actually been enjoying the process of writing it (barring a few format-related hassles); having let the ideas and characters stew in my head for a week or so, it’s really felt like a case of just typing it out.

And when the actual process of writing is as straightforward and enjoyable as that, it reminds me why I love to write; the the words just flow from noggin to page (or monitor), and I start to see connections between plotlines I had previously thought were unrelated, ideas for jokes seem to come out of nowhere, and it’s one of the finest, and funnest, feelings in the world. Granted, there are many times when it doesn’t go like that, but this week it’s been fun (apart from spending all day in front of a computer and then going home and spending the evening in fr – ah, you guessed it). That does mean, of course, that I’ve been slightly less mentally and physically able to post extensively here – the paradox of being fired up and excited about writing in all its forms, but a little bit too tired to actually sit and post much to m’blog in the last day or two (hence the title above).

Anyway, my Sharps item will go in the post tomorrow, and apparently those who’ve made it to the next stage should know within a week or so. Which is a pretty fast turnaround, and suggests that they might well be going by the standard practice of reading the first ten pages to assess whether or not to put the script through. If that is the case, maybe I should do a check and make sure that the first third is mind-grabbingly terrific… or perhaps I should affix some kind of irresistible bribe to one of the first ten pages? A fifty quid note, perhaps? A small chocolate bar? Maybe even a small, but saucy picture from my portfolio?

Actually, no, that last idea’s not appropriate, is it? After all, I want to advance on the basis of my writing abilities, not because of my appearance, people can be so catty if they think that’s how you’ve got where you are in life (see, no matter what you might have heard, I DID learn something from all that time at Law School).

What A Wonderful World

Make sure your monitor is fully maximised and free of dust, and then join me in being impressed by the photos here.

Need I say more? I think not. Quite, quite beautiful.

The Adventure Of The King’s Shilling

I bade a cursory ‘good morning’ to Mrs Hudson, and hurried up the seventeen stairs to 221B, where my old friend was sitting facing the window.

“Good morning, Watson,” he said without turning around. “I gather there is some item in the news you wish to discuss?”

I shook my head slightly as I walked into the sitting-room. One might have expected that time would have made Holmes’s deductive skills less surprising, but the singular nature of his mind never ceased to startle me.

“Holmes, how did -“

“You know my methods, Watson,” he said, and turned to face me. “Attention and reason, nothing more. If you consider the sequence of events immediately preceding your entry into this room, you may well be able to duplicate my conclusion.”

I paused for a moment, retreading that familiar path in my mind. Holmes had cautioned me to pay attention to detail many times before, and yet there was little of note about my arrival in our shared lodgings; or so I thought.

“Once again, I am at a loss, Holmes,” I said, collapsing into the vacant armchair, and glad of the warmth of the nearby fire. “You will save us both time if you explain how you came to your conclusion – which is, I must add, quite correct.”

“Well, Watson,” he said, and leant forward, with a look in his eye that I had often seen before. “I have heard you enter this building many times, and therefore the sound of your footfalls is known to me. The overall pace and stride changes little, even if it is cold or wet outside – I know that, as a gentleman, you will always pause at the door to wipe your feet or dispose of your umbrella should it be snowing or raining.”

“That much is true,” I agreed, nodding slowly.

“On this occasion, however, you did not stop – as, once again, a gentleman would do – to greet Mrs Hudson with your customary warmth, and nor did you ask her for tea or any other form of refreshment. Clearly, you were in something of a hurry to speak to me, and considered you had something of considerable importance to discuss. A notion which was made all the more evident by the manner in which you ascended the stairs.”

“Yet you knew it was an item from the news I wished to discuss,” I pointed out, only now producing the torn-out section of that morning’s Times from my trouser pocket. “How could you have known that?”

“There are many sounds in the city, and I have made it my place to know as many of them as possible. The sound of the ragged edge of a torn piece of newsprint in a man’s pocket – especially one as well-lined as would be expected in a suit from Saville Row, Watson – is as distinctive to me as the sound of a man’s voice. The rough susurrus is not, I might add, unlike that of the wind through sere grass in the Himalaya.”

The reminder of Holmes’s time abroad, when I had thought my friend dead, was an unwelcome one, but his point was well made; I had been faintly aware of the sound of the piece of newspaper in my pocket, but had paid it no mind. It was this insistence on attention to details – details which others might have ignored as being commonplace – which made Holmes peerless in the field of investigation.

“So, Watson,” he said, “what news is it that you wish to bring to my attention?”

“Grave news, to my thinking,” I said, and unfolded the section of newsprint. “There are plans afoot to sully your name.”

“Really?” he asked drily, arching an eyebrow. “An attack on my reputation and standing? Interesting.”

“It’s not interesting, surely, Holmes!” I blustered, unable to understand how he could remain so calm. “As a Consulting Detective, much of your income derives from the public perception of your character and abilities. This perception is endangered by the plans of which I speak.”

“A reputation as fragile and easily destroyed as you suggest,” he replied, reaching into the nearby slipper for his tobacco, “is one which appears to be of little merit. What are these plans, that I should be as concerned as you seem to be?”

“There is an intention,” I read from the section of newspaper, “to take your name, and your well-regarded skills, and portray them in a fashion more befitting a common brawler, in a medium most vulgar and unseemly.”

“You speak of the moving picture, I fear,” said he.

“Indeed,” I replied. “Financiers are even now emptying their coffers to provide backing, and a man of questionable reputation and ability has agreed to take the reins of this ill-considered venture.”

“A man willing to do such a thing,” Holmes said, stuffing the last of the tobacco into his pipe, “must have little to lose. He may well be a man who has known success, tasted and delighted in its fruits – including the adoration of womenfolk – but who has started to fail. A man for whom the memory of the good fortune, now seemingly out of reach forever, must cause restless nights.”

“You know of the person involved?”

“I know his kind,” Holmes said, striking a match and holding it to the pipe until a warm glow emitted from the bowl. He puffed twice. “I know of the effects of fame, and the artificial world of the moving picture, on a man. Especially a man who may have but one tale to tell, one song to sing. When that has been done and his mental resources and creative abilities are exhausted, he will seize on any apparent opportunity to earn his money, or to cling to the last vestige of success.”

I said nothing. In my fashion, I was relieved that my old friend had not been as alarmed as I, and that he seemed confident that no matter the words said about him or his characteristics, the lasting memory of Holmes would be that of a man whose brain was always to the forefront, and whose fists were a last resort.

“Tell me,” Holmes said suddenly, “what is his name, this man? I’ll admit I should ideally know it already, as I know the names of criminals, but the world of the moving picture makes a man’s status rise and fall with shocking speed – to keep track of such individuals would require a greater memory than even I possess. Who is this man, who would deliberately seek to portray me as other than I am, in order to gain a few pounds, a few more paragraphs of coverage in the London News?”

“His name,” I answered, offering Holmes the germane section of newspaper, “is Guy Ritchie.

“Ah, Ritchie,” Holmes said with a rueful shake of his head. “I suspected that this time would come, sooner or later.”

Yes, I Judged The Mag By The Cover, But I Don’t Judge The Look By The Lover*

It doesn’t often happen, but sometimes a certain magazine, book or comic cover will catch my eye, and make it inevitable that I’ll have to buy the item (something which might surprise you, given how often I post lengthy rants about derivative book covers, but it’s true).

Just the other day, the cover to the current New Yorker magazine, pictured here, did just that; I’ve don’t live in New York, I’ve never read the magazine before, and all I know about it is that it has a reputation for very rarely having typos or grammatical errors – something which I have no problem with, but it did make me wonder if the magazine might be rather self-regarding or austere to read.

I know what you’re wondering: is it? And I say in reply to your thought-question: I don’t know, to be honest. I bought the magazine the other day, and I’ve briefly skimmed it a couple of times (it seems to contain short pieces by Nabokov and Murakami, which isn’t exactly shabby), but I keep being drawn back to the cover, which I think is a wonderful bit of art (you may need to click on the image to get the full effect).

It’s by Adrian Tomine, who I know does comics work as well (as does Chris Ware, who also does covers for the same magazine). I don’t think I’ve read his comics work, but whatever I’ve seen of his art has always appealed to me for its clean lines and nicely-drawn people; you can see many more of his illustrations – including some more on book-reading themes which were also New Yorker covers – on his website, by clicking here.

I don’t have any particularly searing insight to offer here, but I just wanted to share some art which I thought was elegant and attractive. Hope you like it as much as I do.

[The image above is, of course, © copyright Adrian Tomine 2008.]

*I know that doesn’t make sense, but blame ABC, not me, okay?

Want To Be As Cool As Me? Of Course You Do. And One Way To Do This Is To Copy Me, And Buy This

Back in March, I mentioned that Sarah J Peach was pulling together a book by bloggers in aid of War Child.

Well, just yesterday, the Peachster announced that the book has been compiled and completed, and is now available for your reading pleasure. It’s called ‘You’re Not The Only One’, features over a hundred bloggers sharing tales of things that have actually happened to they themselves personally, sports a rather spiffy cover, and is available to buy from Lulu.com by clicking here.

It only costs £12.50, and over half of that goes to War Child – in fact, if you’re all tech-savvy and like downloaded books, a whole £10 of that goes straight to the charity, which has to be a good thing, right? Tell all your friends about this, and do make sure to buy a copy yourself, as it sounds like a good read for a good cause.

And yes, in case you’re wondering, yes I did send in a submission for the book, but I didn’t make the final cut. Then again, Sarah’s recently announced she’s pregnant, so I think we can safely assume that the strange hormones which are now coursing through her system made her temporarily so woozy in the head she was unable to recognise it for the great writing it obviously was. Ahem.

Anyway, what are you lingering here for? Get on over to this page and buy yourself a copy (and then come back here, of course. I miss you so when you’re gone).

Spotted On Wednesday In The Capital City

Taking these two in order:

Firstly, I think we can conclude that the Evening Standard believe that the time to be alarmed when you see someone carrying a rucksack is now over. Good to know.

And secondly… well, do I really need to say anything about this headline? ‘Menace’? I mean, come on… ‘menace’?

You Know That Recent Doctor Who Episode Set In Pompeii?

Well, it was written by James Moran, who’s also written for Torchwood, and wrote the film Severance, and is doing stuff for Primeval. So, it’s probably fair to say that he knows things about writing for the screen (and about writing in general) which many of us who are trying to make a living by scribbling could learn from.

Fortunately, he’s shared a cluster of insights on his blog, and I heartily recommend you read it – go lookypoos, by clickykins here.

I Also Seem To Recall It Being 40 Minutes Long Back In The Late 1970s – Or Did I Dream That?

It’s become a bit of a tradition in many blogs to embed or link to a music video on Friday afternoons. Perhaps it’s some kind of cyber-echo of the fact Top Of The Pops moved to Friday not too long before its demise (and in my opinion hastened that demise; in my young day, we’d watch it on Thursday night, talk about it on Friday at school and then, having had our opinions approved or changed by the consensus of the classroom hive mind, go and buy a single or two on a Saturday), or perhaps it’s because as the weekend draws nigh the urge to lob up some original content is on the wane, or perhaps (as is usually the case with my suppositions) it’s some other reason altogether.

Here at John Soanes we’d like to follow the crowd, but we’ve never been very good at it, so on a similarly musical theme here are two links to free music downloads. I wouldn’t presume to say if the tunes in question will be your bag, but who knows…

Here, you can download seven tracks from Jack Johnson’s new Brushfire label. I’m not a huge fan of his stuff myself, though I know lots of people are, so it’d be churlish of me not to share it. You have to register, but I did so and have since failed to confirm my e-mail address to get regular e-newsletters, and yet I was still able to get the mp3s. Check me out, eh? I’m such a rebel.

And if you don’t care for that, then click here to visit a page where you can access samples of the Minder theme, which is perfect for playing loudly as you strut around the room with your thumbs hooked into your trouser beltloops.

It’s not just me who does that, is it?

Sharps – The Writer’s Cut (Get A Bandage)

So, how are other people getting on with their entries for the BBC Sharps competition?

With just over a week to go before the final posting date (entries have to be in by noon on Monday 16th June), I think I’ve finally got the content of mine sorted out in my head, though taking that swirly mass of ideas and actually getting it into some vaguely coherent string of words on paper is, of course, the big challenge.

I don’t know how other people work, but I usually like to scribble down all the bits I want to put in a story in list form, then once I’ve come up with the story idea or structure that I think fits it best, and hopefully allows me to put in all the bits I like, then I decide the order of the scenes by shuffling them around until it all feels kind of right. Sometimes this is on post-it notes, other times on bits of card, and if the stationery is in short supply, then sometimes it’s just the ‘what goes in’ list modified to some kind of running order.

I’m roughly at this stage now – I know who my main character is (her name’s Carol, since you asked), the opening and closing lines of the piece, and pretty much what happens in between, but I need to put more flesh on this skeleton. Given the way my waistline’s expanded in recent years, this doesn’t appear to be a problem in literal terms, but I suspect it’ll be slightly more work in a metaphorical sense (though both processes share the feature of me needing substantial amounts of tea and cake). I’m hoping to finish off the structuring bit of it by the end of today (Thursday), and that leaves me a week to pour the words and events out of my head, which I think should be feasible – they’ve been percolating there a while now, after all.

The above isn’t always the way I work, mind; it tends to vary depending on a whole number of circumstances such as time and availability of tools and of course the nature of the piece itself, but at the moment, this one seems to be functioning okay for me. I’d be interested to know what methods you folks out there tend to use – longhand, straight to screen, lists, post-its, or are you all geniuses like Mozart who can just throw it down on the page and it’s exactly as you envisioned without the need for any changes? Do let me know, I’m genuinely curious…

And finally (for now) on this subject, I was privileged this week to cast my baby clues over a draft of Chip Smith’s script for Sharps (with his permission, I’m not some kind of weirdo… well, all right, I am, but not that kind of weirdo), and jolly good it was too. The standard, methinks, should be pretty high (not least because of the fairly broad nature of the brief allowing some imaginative leeway), so I think I shall have to try to bring a game, rather like on the last day of term at school..

Oh, hold on, the phrase is ‘bring my A-game’, isn’t it? Ah well, I’m sure you know what I mean.

I Didn’t Find Any ‘Man Stroke Woman’ Fan Slash Fiction, Though

Slightly spinning out of my thinking for this post, I was thinking about fan fiction – partly prompted by my recent discovery of the existence of the book depicted here.

The Killing Zone is not a particularly well-known James Bond ‘continuation novel’ – for a very simple reason; it seems that the author published it at his own expense and pretended it was officially licensed by the estate of Ian Fleming, which it wasn’t (and it seems unlikely it would have been, given that Bond dies in it – you can read the text of the book here). So really, it was little more than glorified fan fiction.

Fan fiction is something I find both understandable and mystifying; if you like to write and you like certain characters, I can see why you’d want to write stories using those characters (I mean, I have notes for an ‘Elseworlds’ Batman tale on file), but if you’re that keen to see the stories printed and they involve characters owned by someone else, I think you’d probably be better off trying to actually get them published either as stories with new characters or – if you’re hardworking and a little lucky – maybe even as part of the ‘canon’, as opposed to sticking them on the internet or similar. Sure, it’s all good writing practice to put one word after another in whatever form, and I’ve seen examples of fan fiction which have been genuinely good writing, but I can’t help thinking that some of that effort could be just as (if not more) profitably put to use in the creation of new characters.

Got an idea for a Bond story? Why not re-tool it with your own character – if the plot’s compelling enough, surely it would stand on its own merits, and you’d be free to do whatever you want without the constraints of ‘playing with someone else’s toys’ – or, as I think Warren Ellis once called it, “servicing copyrights”. Speaking of whom, Ellis did just this (aided by the terrific art of John Cassaday) to great effect in his comic series Planetary, which features a combination of out-of-copyright characters (Holmes and Dracula, for instance) and altered versions of characters, such as Doc Savage, who are still owned by other people or organisations. And of course these altered characters can have different traits from the originals as required by the plot.

One area of fan-made fiction which simply mystifies me, though, is ‘slash fiction’. When I first heard of it, I assumed it was rather grisly, like a slasher film, but in fact it comes from the punctuation involved; slash fiction is fan fiction which focuses mainly on romantic or sexual relationships between characters in an established setting, and the ‘slash’ is usually placed between the names – for example, Kirk/Spock. I gather it’s mainly written about male characters, and often by female writers (shades of Yaoi there). And a quick search of the internet for examples of it left my head a-spinning, quite frankly.

Kirk and Spock stuff was pretty prevalent, but if SF’s not your thing then you’ll be glad to know you can easily find another Shatner onscreen persona in contemporary garb in slash fiction about Boston Legal, and for those of you with longer memories for TV shows there was slash fiction detailing sex between The Equalizer and his former CIA boss. It was odd stuff to read – though I have to be honest and say that I didn’t read much of it for too long as my head was all confused by the motivations behind it: it was capably enough written (although a lot of the time the dialogue was dodgy), but my mind was pulled in two directions as it tried to reconcile the idea of these characters as having a ‘secret erotic life’ with the general themes of the ‘canonical’ stories as I understand them, and I just couldn’t align those things in my brain.

Though, thinking about it, I may simply have over-dosed on Shatnerian homoerotica whilst researching this blog post. Maybe that’s why the whole thing rather weirds me out.

As, in fact, did just typing the phrase ‘Shatnerian homoerotica’. Still, could make for some new visitors arriving here via strange searches on Google and its ilk. Hello, new and rather-niche-interested readers!

Page 68 of 121

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