Category: Writing Page 20 of 24

Can’t Get Enough Of Your John, Baby?

Well, if you need more of my words than this blog provides, there are a couple of new places online where you can go…

Given my background, you might be surprised to know that I’ve contributed to this site, which is ostensibly of a medical nature. However, I have indeed been involved in it – and those of you who watch a certain Channel 4 sitcom (recently commissioned for a third series, no less) might recognise the site, as it was featured onscreen in an episode.

Considerably less involved on the creative side, but a name-check nonetheless, is at Jess Nevin’s annotations site for the latest volume of ‘The League of Extraordinary Gentlemen’ by Alan Moore and Kevin O’Neill. For legal reasons, The Black Dossier isn’t available outside of the USA, so you understand that my contributions to Jess’s annotations are, of course, complete and utter guesswork. Ahem.

Striking While The Iron(y)’s Hot

As you may have seen in the news, the Writers’ Guild of America strike has led to the Golden Globes awards ceremony being cancelled. This is mainly because the actors who would have been attending have said they’re to willing to cross the picket lines which were predicted. Quite clever in a way, the WGA didn’t actually have to physically picket, just say that they would. It seems unclear at the moment whether the threat of picketing will have the same sort of impact on the Oscars, due next month.

Further down the report linked above, you’ll see mention of what one might argue are the first cracks in the studio’s rock-like refusal to return to the table, as (and I sort-of expressed hope it might be the case in this post ) individual production companies have directly struck deals with the WGA. This gives them a commercial advantage, as they can work with WGA members (and that means they can actually have, you know, scripts for their products), unlike the members of the Alliance of Motion Picture and Television Producers.

And the names of the companies who have struck these deals add an amusing little touch to the news, as the film production company which has struck a deal is United Artists (first formed in 1919 to allow creative types more control over their work and pay), and the TV company behind David Letterman’s nightly chat show, which – and note how the BBC site is too coy to mention it – rejoices in the frankly splendid name of ‘Worldwide Pants’.

Now Wait For Next Year*

At this time of year, it’s not only traditional to make New Year’s resolutions, but also to take stock of things, and assess how much progress (if any) one’s made in certain areas. David, Lucy, and Lianne have all posted on their goals and achievements with regard to writing in 2007, and so, perhaps slightly belatedly, I thought I’d do the same.

If I’m honest, I didn’t really set myself many specific writing goals for 2007 (though there were a couple, of which more in a mo). I do feel, though, that I did pretty well in ‘getting things out there’, by which I mean I’m pleased that 2007 saw the following:
– Being selected as one of 100 bloggers whose work was included in a Comic Relief book
– Recording an audio version of the same blog entry for inclusion in the podcast version of the Comic relief book
– Book review work for the Fortean Times
– My ‘flash fiction’ urban myth being a finalist in, and thus performed at, the Urban Myths event at the Manchester Literature Festival

…I’m also quite pleased with the way this blog has evolved; I’m updating pretty much in line with the number of working days in the week (and sometimes more often than that), I think there’s a good mix of topical, personal and silly items, and people who I’ve never met have been kind enough to link to me and to post comments, which makes it feel less like a displacement activity and more like a genuine form of communication with the world at large.

Mind you, it’s not all sunshine – none of the above earned me any money, which is fine in the case of the charity stuff, but it’s slightly disappointing to realise I earned more from eBaying unwanted stuff than I did from writing in 2007. Hmm.

And, as mentioned above, I had a couple of specific writing goals – to finish my novel ‘Coming Back To Haunt You’ and start the novel ‘The Body Orchard’ – which didn’t really happen; sure, I started ‘TBO’ (as no-one’s calling it except me) in November as part of National Novel Writing Month, but that was meant to be written after I’d finished ‘CB2HU’ (again, as nobody calls it apart from me), which remains only half done. And that isn’t really good enough – especially as I know how the tale finishes.

So this year, as well as making some proper (read: not half-arsed) progress with the novels, I intend to finish off the radio play that’s sitting on my hard drive unfinished, to expand and polish the screenplay I submitted for the Red Planet prize in 2007, and to get my horrendously out-dated website revamped, as I’ve been promising to do for … well, too damn long.

Am I making a public proclamation here, then? You know, I rather think I am. Okay , for the sake of argument let’s say I am.
So : in 2008, I aim to finish my radio play, screenplay, ‘CB2HU’, and to make good progress with ‘TBO’.
We’ll meet back here in a year and see how far I get in relation to these, shall we?

*Apologies to Horselover Fat.

Last Minute Christmas Ideas

It’s that time of year again, when magazines fill up with ‘year-end round-up’ articles and ‘best of’ lists, but what if the journalist in your life has left it to the last minute to hand in an article? Well, don’t panic, because even at this late stage, there are still article ideas you can give them, for example…

Shopping For Women
This is a perennially popular theme, and you can’t really go wrong with it. Remember to start from the premise that all men are eye-rollingly gormless when it comes to this sort of thing – particularly the buying of underwear, when, left to their own devices, men inevitably buy red PVC basques in the wrong size.
Perfume and bathroom products are always a favourite, mainly because the nature of the items can’t really be conveyed on the printed page, and you can dupe the testicle-toting fools into buying something which is stunningly well packaged, but actually smells as if a mouse has died behind the radiator. Of course, an article of this nature implies that the gift recipient smells, and if the gift itself smells bad, it’s doubly insulting, suggesting that the revolting stench of the gift is none the less preferable to the woman’s natural odour.
Shoes and handbags are always a safe bet for an article, too – not only are there so many colour and style variables that you can probably make your word count easily just by dropping in a few big designer names and references to current trends (which you can always contort to fit your brief), but best of all, you can drop in a few references to how men don’t understand women and their love for shoes and handbags. God, men are stupid, aren’t they girls? Eh? Eh?

Shopping For Men
Again, very popular, and nice and easy. All men love all gadgets, so just take a look at a few websites and make up some stuff about ‘this year’s hottest trend’ or ‘really big in the USA at the moment’ or something like that.
DVD box sets are always a nice shelf- and page-filler, and as all men love Bond films, you can always recommend whatever the latest version of the Bond boxed set happens to be; this idea has the added attraction of enabling you to make some irrelevant but wordcount-upping comments about people having a favourite Bond actor (with examples), or about Daniel Craig being blonde-haired, or, if all else fails, you can refer to Ursula Andress in her bikini as ‘iconic’ (perfect excuse to illustrate the article with an appropriate photo, thus filling more space and increasing the sex-factor of the article. Ka-ching!).
If the journalist in your life is writing for something a bit alternative and wants to seem a bit edgy, then they may need to come from a less mainstream angle than the Bond films, so bear in mind that even though all men love Bond films, any men who don’t love Bond films will always love all Tarantino films. Don’t be afraid to write about the DVD releases of these, peppering the article with quotes from Pulp Fiction, speculation about what’s in the briefcase, suggestions that you’d always been a huge fan of Pam Grier’s work, and of course you can always refer to Uma Thurman in her tracksuit as ‘iconic’ (see above re illustrating article, etc).

Shopping Experiences
In the past few years, with the growth of the internet, we’ve seen an explosion of articles comparing online and real-life shopping experiences, and these are always a good way to fill the bits between adverts in magazines and papers. The benefit of writing about online shopping is that you can do all your research sitting at your desk, cutting and pasting from the websites in question, so it’s all in the comfort of your own home.
On the other hand, nothing really beats going out and doing all your Christmas shopping article research in real shops, as you can write about the shop’s décor, the crowds of people, the music of Wizzard and Slade pumped at you from speakers, and the rudeness of shop assistants and/or other customers.
This latter is an important element of the shopping experience article, as, unlike web-based shopping, what someone said to you in a shop is hard to verify, whereas with an online shopping article you might get some bored or nosey sub-editor actually looking at the website to see if what you’ve said in your article is true – which can be a nuisance if you’ve said that you can buy a brontosaurus from Amazon or something like that. So think carefully about whether online or real-life shopping is the experience for your article.

Shopping For Children
Although over 50% of the homes in the UK don’t have children in, it’s always a safe bet that an editor will accept an article on shopping for kids at Christmas. Like the ‘shopping experience’ article, this gives you a lot to work with – the store itself, the experience of trying to find something suitable, and if you write as if you’ve taken the child shopping with you, you can always end on an emotional note – such as:
“When we got home, Molly looked me in the eye.
‘I don’t mind about not getting the toy I wanted,’ she said, thoughtfully.
‘No?’ I replied. ‘Why’s that?’
‘Because I enjoyed spending time with you, Mummy. That’s all I want for Christmas, really.’
I turned away, so she couldn’t see my eyes fill with tears.”
Of course, you can also get a lot of mileage out of talking about the latest crazes amongst kids, and how you don’t understand them. You can either play this ignorant for humorous effect (‘Is an X-Box something to do with Simon Cowell?’) or faintly indignant (‘When I was growing up, we didn’t have games consoles, we were thankful if our Christmas stocking contained a mouldy tangerine and a hardened lump of grandma’s excrement’). Don’t forget, the semi-nostalgia angle article is like a present without wrapping unless you refer to Raleigh Choppers or Spacehoppers.

Party Season
Many people who work in offices or other shared environs have some kind of work ‘do’, so this is often a safe bet – as long as you write about it from the standard position, which is that December is an endless whirl of parties for which all female readers must buy new outfits, and at which all male readers will be trying to get a snog from a female member of staff (always try to make this sound like a given, or received wisdom, by giving an example of the sort of department the female in question might work in, but make it sound both casual and plausible – for example, ‘the pretty girl in HR’ or ‘the brunette in goods received’).
Regardless of the fact that most people will, at best, have one work do and attend one party thrown by friends, feel free to make December sound like a non-stop carnival of parties, at which all work bashes involve champagne flutes, cocktail dresses and refined environments (as opposed to a meal in the local Harvester, which is more likely to be the reality), and all parties hosted by friends are (if you’re writing for a female audience) like something out of a Helen Fielding novel or (if your readers are male) a National Lampoon film.

This Year’s Christmas Must-Haves
If you have a page to fill and no time at all, then the Nigella Express of articles is surely ‘this year’s must-haves’. Take pictures of items from websites or press releases, put in little details of stockists underneath them, repeating until the page is full. If you can find a picture of someone in the public eye using, holding or wearing any of the items, then so much the better.
Remember to use the phrase ‘must-haves’ in the title or subtitle, or the article will be unfit for print; ‘must-have’ is a magically-imbued phrase which renders your readers both susceptible and slightly disoriented, so that they’ll both feel somehow like they ought to buy whatever random tat you’ve given pagespace to, whilst simultaneously wiping their memory of the fact that, in the previous issue, you told them that items of an entirely different nature were things they ought to have.
If you do not use the phrase, the article will look like a haphazard collection of images that could have been assembled by an infant with access to a pot of glue and a copy of the latest Argos catalogue and your editor will not consider it a ‘must-have’ in publication terms.

Last Minute Ideas – Last Resort
If you have to write something shortly before Christmas, and genuinely have nothing at all to say, then the only route left to you is to take the ‘last minute’ route, and to either write about your own ‘trying to get gifts/cook a meal/whatever at the last minute’ experience (but do bear in mind this might actually take some effort to create), or – and this is easier – to write an article advising people on what they should do if they find themselves empty-handed (or empty-headed) at this time.
It might seem like a cop-out option, but in fact its timing makes it a sure-fire candidate for publication – not only does it look suitably aligned to the calendar, but the time of year means people tend to have other things on their mind, so the editor’s less likely to spot the absence of any real point or merit to the article, and the reader’s probably not going to realise that the whole things is just an exercise designed to waste their time and energy to no real purpose.

…Which, of course, applies to these words as well.

Looks As If It Won’t All Be Over By Christmas…

You may have noticed I’ve gone a bit quiet about the US Writers’ Strike in the last week or so – the reason for this is simple: things have gone very quiet on that front, because the AMPTP (American Motion Picture and Television Producers – in essence, the major studios) have as good as walked out of the discussions with the Writers Guild of America.

It’s all pretty tangled and messy, but it’s extremely well summarised and analysed in Robert J Elisberg’s report here , but if you can’t be bothered to follow the link, then basically what happened went rather like this:

AMPTP: Right, we want you to take your six big issues off the table. Then we can talk.

WGA: No, those are the points at the heart of this. They’re the issues we’re striking over.

AMPTP: Oh, so you’re refusing to talk, eh ? Right, we’re off.

And twenty minutes later, the AMPTP issued a press release saying that the WGA was unwilling to talk – as Elisberg notes, that’s suspiciously speedy given the number of people such a document would have to go through; a cynical sort might conclude that the AMPTP deliberately brought the talks to a halt because they want to play hardball. And given that they’re due to renegotiate contracts with the Directors Guild of America and the Screen Actors Guild in the next six months or so, you can see why they want to be seen to be tough negotiators. Though the DGA has decided to push back the start of its renegotiations to let the current strike be resolved, and the SAG has recently pledged its support for the WGA, so one could get the feeling that the various unions are pretty much aware of the need to play it tough as well.

The latest I’ve seen is that the WGA has made two announcements – firstly, that they’re willing to negotiate with the studios invidually (so that the ‘united’ but potentailly competing interests of the six studios don’t get in the way), and secondly that they’re filing Unfair Labour Practice charges against the AMPTP with the National Labour Relations Board.

I’ll be particularly interested to see if the commercial interests of the individual studios make them prone to break ranks and negotiate with the WGA – in a fashion which it seems the AMPTP was rather hoping would happen in relation to the general members of the WGA, and the folks who work on reality TV and animation; it didn’t happen there, but since the studios in question are actually in competition with each other (after all, it’s not as if Sony, Warners, Disney, Fox, CBS, Paramount, MGM and NBC are obvious bedfellows), it could yet happen.

As ever, I’ll let you know what happens. But here’s hoping the WGA gets a decent deal for their members, especially in regard to any ‘new media’ residuals – let’s face it, the internet is where it’s at, as this blog all too readily demonstrates.

Last Time I Mention This, I Swear. Well, This Year Anyway.

Following on from my arguably self-indulgent post about not reaching my National Novel Writing Month goal, I received (as I suspect many other participants did) a very friendly e-mail from Chris Baty, founder of NaNoWriMo, sending the e-mail equivalent of a cup of tea and a reassuring pat on the shoulder, in which he said “Successfully pulling off anything creative given our ridiculously high standards and congenitally overscheduled lives is a miracle, and sometimes that battle just can’t be won in a single month”, which I’ll cheerfully admit, made me feel better about it. Thanks, Chris.

Anyway, moving away from me and onto you, my loyal audience, I thought I’d share with you the fact that a number of genuine actual real published authors wrote Pep Talks for people participating in NaNoWriMo, and that these are now available to read on the NaNoWriMo website specifically, here.

Granted, they use a lot of words specific to people writing a novel in a month, but I think that there are many words of wisdom (from, let’s not forget, proper writers) to be found in the Pep Talks – not least in Neil Gaiman’s message, where he rightly says “nobody else is going to write your novel for you”.

Hmm, maybe I should have that printed off and stick up versions of it around the flat, replacing ‘novel’ with ‘screenplay’, ‘radio play’, and any other unfinished items which are currently lurking on my hard drive…

And The Fact I Haven’t Blogged Over The Last Couple Of Days Doesn’t Make Me Look Prolific Either

Well, November has come to an end, and with it, National Novel Writing Month has finished too.

The aim of Nanowrimo, as I’ve probably mentioned tiresome times before, is to write a 50,000 novel in one month – at an average of around 1700 words a day. Did I succeed in doing it in 2007, after 2006’s unimpressive attempt?

Did I hell.

In fact, I didn’t even make it to 5,000 words – 4,300 by my rough count, which is around 8.6%, which is up from last year’s 5%, but which is still almost unbearably lame. It’s actually quite embarrassing – which is, of course, the point of making a public declaration about this sort of thing, with the aim that the shame will spur one on – but I honestly don’t know where the time went in November, or (more importantly) where I could have retrieved the hours I needed to get more done on it.

Which is, all too often, the problem I face with the writing – the day job and the associated commute leave me feeling quite floppy by the end of the day, and BLAH BLAH BLAH… it’s all excuses, isn’t it? If I truly want to write for a living – and I sincerely believe I do, and that I could be all right (or maybe even better) at it – then I need to make sure that I make time, don’t I ?

It’s simple, but not necessarily easy – and in that distinction, I suspect, lurks the problem.

Anyway, onwards – Nanowrimo 2007 was a bust for me, but there are other projects to be completed, things to be written, and that can only be done with words as a path is made of stones: by placing one after another until I reach the end.

WGA Strike – Here Now The News*

Well, the news blackout surrounding the WGA Strike has been lifted, as you can see from this press release from the WGA.

Despite some rumours doing the rounds that a settlement has been reached, it looks to be far from the case…

*With apologies to Chevy Chase (who’s not so starry as to reject working for scale ) and, by association, Roger Grimsby.

Solidarnosc!

No posting yesterday, by way of showing solidarity with the striking writers in the USA. It was, in case you didn’t know, an International Day of Solidarity.

Stand strong, my WGA friends, and you shall soon be free (or, at least, more appropriately remunerated for your work)!

Don’t know if you saw any coverage, but there was a gathering outside the TUC here in London – there’s a report on the WGGB site , a picture on Elinor’s blog here , and James has a write-up on it here .

As for the strike itself, the Studios and the WGA are holding talks this week after agreeing to get round the table again, though as I understand it, information about progress is being kept schtum so that leaks don’t prejudice or hamper things. Fair enough, I guess. I will, of course, let you know as soon as I hear anything.

And in the meantime, if you feel cheated by the absence of an update yesterday, maybe that’s a sign of just how important writing, and by extension, writers are ? I think so. Oh yes. Yes indeedy.

NaNoWriMo-an

The absence of posts commenting on my progress with National Novel Writing Month 2007 may well be a bit of a clue – I’m struggling to get anywhere near the allotted target of 50,000 words. In fact, over halfway through the month, I’m struggling to get anywhere near 5,000 words – one glance at the wordcount here shows you my current situation – and the wordcount hasn’t been updated in six days either. Lame, isn’t it?

I actually find it slightly depressing, as it makes it look as if I don’t want to write, whereas sitting down with my notebook and pen, some suitably undistracting music, and a mug of tea are things which I thoroughly enjoy (same goes for sitting at the keyboard, but I tend to do my initial draft longhand). So why, I ask myself, do I seem to find it so difficult to apply myself (and my behind to the appropriate chair), even within the setting and constraints of Nanowrimo?

It partly worries me that I might – and this is something I wrote about last year when I failed to get anywhere near 50,000 words – be more keen on the idea of ‘having written’ than on actually writing; that is, that I might derive more pleasure from writing if I could just jump to having finished without the hassle of actually having to put one word after another. There are a lot of people like this, I know – the people who say things like “You know, I’ve always wanted to write a novel…” whereas I suspect that what they actually mean is “I’d like to have written a book, and had it published and in the shops”, or something to that effect.

It’s only a partial worry to me, though, as I know that I actively enjoy writing – the process of coming up with an idea, then working it into some kind of narrative, figuring out whether it would be best as prose, TV, radio or comics, and then actually putting pen to paper (or digit to keyboard) to tell that story is something I genuinely derive a lot of intellectual pleasure from, and even when I’m trying to figure out what comes next it’s fun. So I’m confident that my lack of Nanowrimo progress (so far – I’m not throwing in the towel by any stretch of the imagination) isn’t born of some self-sabotage, or that I might not really want to write.

But unfortunately, this last few weeks have seen me awash with mundane but necessary chores which occupy the time I’d otherwise be spending writing – redecorating the shared stairwell of my building, sealing up cracks in the brickwork to keep out mice (yes, somehow mice have made their way into our second-story flat), wedding arrangements, my ongoing hospital radio commitments, and of course the fact that I work 9-5, have all rather eaten away at the time I was hoping to spend writing this month.

As I say, I’m not giving up on Nanwrimo this year (this ramble is by way of an honest update), and in fact having written this (slightly more personal than usual) post, it makes me slightly embarrassed and mindful of how it looks like an attempt to excuse not writing – because there are so many excuses (and occasionally even reasons) not to write, but the reason FOR writing is, for me, a more basic and burning one: I want to tell stories, and hopefully other people will like reading them as much as I enjoy writing ’em (and obviously, if I can earn a living from it, then all the better).

The trick, I realise, is not to allow writing to be one of a number of things that ‘I ought to do’, but to make sure it’s top of the list, and that other activities are only done after the wordcount or pagecount for the day is met. Simple, I know, but there’s all too often a gulf ‘twixt theory and practice, isn’t there?

(Oh, and if you’re wondering why I’m wasting time posting to my blog instead of working on ‘The Body Orchard’, I’m writing this in my lunch-hour at work – not an environment where I can get any novel-writing done, as people are so gosh-darned noisy. Tch).

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